Artist Spotlight

Honk Magazine’s Top 10 Must-Listen Tracks of the Month

Honk Magazine is proud to present an innovative and diverse collection of tracks that are generating buzz within the music industry. From the serene acoustic vibes of Zion Head’s “Chalice Baptized” to the rebellious spirit of SHIV’s “Mad Hatter,” this list showcases the latest in cutting-edge musical talent.

Zion Head‘s “Chalice Baptized” is a noteworthy instrumental track from his album “Mount Zion,” which celebrates the calming effects of marijuana. His unique perspective showcases how this plant can inspire positive emotions and creativity.

Philly and Suzy‘s “Quitting Day” is a refreshing and upbeat anthem that encourages listeners to persevere through tough times. This fun-filled track is sure to get you dancing and singing along in no time.

Jeff Vidov‘s “Baby, can you dig your man” is a danceworthy rock/pop fusion inspired by Stephen King’s “The Stand.” This track is a preview of Vidov’s upcoming double album, which promises high-energy entertainment.

Razor Braids‘ “It Goes Quiet” is a captivating tune that explores moments of silence and reflection. This mesmerizing track is sure to leave listeners feeling introspective and thoughtful.

Donnzy‘s “Corner” is an Afro-beats and Amapiano-infused track that promises to keep you on your toes with its infectious rhythm. This groove-worthy track is sure to get you moving and feeling energized.

Melyssa Lee‘s “Nobody’s Home” is a nostalgic nod to nineties retro pop, hailing from Calgary. The accompanying music video promises to be a visual feast, adding depth and layers to this heartfelt track.

Artist Spotlight

Lisa Jo turns feeling unseen into self-acceptance with latest release “Oddball Gem”

Lisa Jo captures that feeling of being outside the crowd in “Oddball Gem.” The song is about feeling invisible, misunderstood and determined to be yourself. The emotional core is visceral. So many thoughts, not enough words, the draining effort of trying when the fight still feels unfinished. The writing gives you that feeling, makes isolation a familiar, personal thing.

The song then moves to images of becoming ‘a shadow’ and ‘a ghost’ before arriving at a stronger sense of identity. The emotional feeling of not fitting in is at the heart of this song, with the lyric “I was built this way” changing the tone from pain to self-acceptance.

“Oddball Gem,” is a declaration from someone learning to stand comfortably in their difference. The line “I don’t fit in I’m an odd ball gem” is a direct and memorable encapsulation of what the song is all about. Lisa Jo turns that feeling of being left out into a portrait of individuality. She provides the track with an emotional message of staying true to yourself when belonging seems hard today.

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Artist Spotlight

Temidayo Balogun bridges tradition and modern expression on latest release “Ori I “Concept of Democracy”

Temidayo Balogun‘s latest release, “Ori I “Concept of Democracy,” blends African musical traditions with contemporary jazz to explore identity and community. “Talking drums, native instruments, but there are also passing notes on the piano and a saxophone for another dimension to the musical language,” the song is characterized by.

The track isn’t rooted in one musical planet, but in the relationship between its different elements. Talking drums are part of African musical traditions. The piano and saxophone add a jazz-oriented dimension. That contrast lets the song explore its themes of identity and community as much through sound as concept.

If you like genre-bending work, “Ori I’ Concept of Democracy” is a thoughtful musical experience. Temidayo Balogun mixes indigenous instrumentation with contemporary jazz textures to keep the focus on the relationship between people, culture, and community. The track works because the sounds come together. It invites the listener to dwell on the musical ideas rather than just pass through them.