Music
Megan Thee Stallion Sparks Drama with Kendrick Lamar Cover at L.A. Concert
Megan Thee Stallion‘s “Hot Girl Summer” tour has been packed with unforgettable moments, but it’s also managed to steer clear of major drama with other artists—until now. The Houston rap queen added a touch of controversy during her Los Angeles show on Friday (June 21) by performing Kendrick Lamar’s “Not Like Us,” subtly weighing in on the ongoing beef between Kendrick and Drake. Though it was just a brief rendition of the chorus accompanied by a playful dance, it made a significant statement.
Fans didn’t need Megan to declare Kendrick the winner in his feud with Drake—K.Dot’s triumphant “The Pop Out” show in L.A. on Juneteenth did that already. However, given Kendrick’s lyrical nods to Megan on “family ties” and her rocky history with Drake, her performance felt inevitable. For those out of the loop, tensions between Megan and Drake flared when he referenced a woman “lying about getting shots, but she’s still a stallion” on his 2022 album Her Loss. Megan perceived this as a direct jab, fueling the feud.
Adding to the drama, Megan’s beef with Nicki Minaj has also been heating up. Some speculate that her perceived disses toward Nicki were actually aimed at Drake. Whether these major rap battles will escalate or fade remains to be seen. Kendrick Lamar and his camp might move on, or Young Money could reignite the feud. Either way, it’s bound to be anything but a smooth resolution.
Amidst all this, Megan’s highly anticipated new album is on the horizon, building considerable buzz. Fans are eager to see if she’ll address the Kendrick-Drake rivalry or her personal issues with Drake in her new music. One thing’s for sure: Megan Thee Stallion knows how to keep us all on the edge of our seats.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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