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Andre 3000 Hits Back at LL Cool J’s Flute Album Critique, “I’m Always Looking for the Next”

Andre 3000

Andre 3000 has found himself at the center of this debate, responding to LL Cool J’s criticism of his latest album, New Blue Sun. The OutKast icon ventured into ambient instrumental music, a bold shift from his rap origins, prompting LL Cool J to voice his disapproval during an appearance on LeBron James and Maverick Carter’s The Shop. “Listen, he is amazing. His bars are all the way up. Not the flute, B. Not the flute,” LL remarked, comparing the idea to himself making a violin album.

Andre 3000, appearing on the same show, defended his artistic direction with passion and clarity. “To me, I feel like if it’s in you — ’cause I got homies my age and older than me that still rap — so if it’s in you, you should rap until you die. You should perform until you die,” he stated. He emphasized his desire for innovation over repetition. “What it takes for me to do it, I’m always looking for the next. I’m not trying to uphold a thing that I’ve done before.”

After a 17-year hiatus, Andre dropped New Blue Sun last November, moving away from hip-hop and receiving mixed reactions from fans. In a subsequent interview with GQ, he confessed he didn’t feel he had anything interesting to rap about at his age, driving his exploration into new musical territories.

Andre’s commitment to artistic evolution underscores his belief that true creativity lies in continuous growth, even if it means swapping rap bars for flute melodies.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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