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Artist Spotlight

Sebastian Rydgren shares a catchy sound of his new single, “Hear Me Out” [Interview]

Sebastian Rydgren

Sebastian Rydgren, a solo artist, is paving way in the music industry with his debut single, “Hear Me Out.” Influenced by prominent artists like Tove Lo, Troye Sivan, and Kylie Minogue, Sebastian brings a fresh and dynamic sonic vibe that resonates with the 80s’ nostalgic vibes. His passion for blending modern pop genres has culminated in a unique musical style that captivates listeners. Sebastian provides detailed insights into the creation, production, and inspiration behind “Hear Me Out,” along with his plans for future music projects and live performances related to his debut single in this exclusive interview.

 

Who are the band members, if any, and were there any particular artists, genres, or band’s main influences?

I am a solo artist. My music draws influence from artists like Tove Lo, Troye Sivan, and Kylie Minogue. He likes to mix and play with different genres, especially music from the 80s, and combine that with a modern pop sound.

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Where was the single/EP/album recorded, and who was involved in its production? Name the record label, producer, and sound engineer who mixed and mastered the song.

My debut single, “Hear Me Out,” was produced and recorded by a well-established producer in Sweden called Johan Kronlund in collaboration with my record label, Metronica.

Regarding production, what aspects of “Hear Me Out” caught your attention? What were some of the critical production decisions that shaped the final sound, and how did they contribute to the overall sonic quality of the track?

“Hear Me Out” went through many different stages and phases. It started as a beautiful and raw ballad, but my team and I felt that a more upbeat and “clubby” sound would suit me better as a debutant. Johan Kronlund and I worked closely in the studio to create the right sound for the single, drawing much inspiration from my influences and Daya’s song “Bad Girl.”

Can you describe what inspired you to write “Hear Me Out”? Was there a particular ethos, music style, or events that sparked the songwriting process for this single/EP/album? How did you collaborate on the lyrics and melody?

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The song is originally written by Alex Mood, Felix Svedestig Götesson, and Gracia Balandina. An early version of the song was presented to me by my team, and I was instantly drawn to the melodies.

How did you aim to take listeners on an emotional journey with the message or lyrical narrative you are trying to convey through this song? What feelings do you hope to evoke through the music so far?

The lyrics describe a feeling of emptiness that a lot of people can relate to. However, by adding an upbeat, dance-pop production, I want to convey a sense of positivity and hope.

Please briefly describe the song, the EP/Album, and the thinking behind the project? What does “Hear Me Out” mean to you personally? How does it reflect your growth as an artist?

My team and I have worked on a few different songs over the past year, and we concluded that “Hear Me Out” is an excellent first single representing me as an artist.

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Do you have any favorable quotes from previous reviews or specific aspects, lines, and phrases of the song that you would happily share?

The response to my release has been very positive, and I’ve received many great reviews worldwide. The song has also been broadcast on several radio stations.

Did “Hear Me Out” create any standout moments or surprises that made it a memorable atmosphere or mood for you? If so, what were your biggest challenges, and how would you describe them?

I was surprised at how well it has been received and how widely it’s spread as a debut single. The fact that I’ve been invited for radio interviews and gotten to perform the song on different stages makes me so happy.

How do you envision performing this song live? Are there any special events, musical tours, and performances that fans should expect soon or plan to incorporate?

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A few upcoming live shows are planned where I will perform “Hear Me Out” with my dancers. New dates are always booked, so the best way to know when and where I’ll perform is to follow me on Instagram (@Sebastianrydgren).

Is there a music video planned for this single? If so, can you share any insights into its concept? How does this single fit into your future musical plans? Is it part of a larger project, like an album or an EP?

There is no music video planned for “Hear Me Out” at the moment, but I hope to expand on the visual aspects of my music one day. The plan is to release new music during the fall, starting with two club remixes of “Hear Me Out” on August 9th.

 
CLICK HERE TO STREAM Sebastian Rydgren’s “Hear Me Out” on Spotify.
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Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Alwyn Morrison

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Fanny Alexandra

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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