Artist Spotlight
Alan Dreezer unleashes a heartfelt dazzle with the newest release, “(Love Didn’t Hurt Me) IT WAS YOU”
Every cathartic and mesmerizing note Alan Dreezer delivers in his newest single, “(Love Didn’t Hurt Me) IT WAS YOU,” proves his growing artistry as a charming songwriter from Eastbourne East Sussex. The poignantly polished yet groovy anthem beautifully merges the vulnerability of heartbreak with the timeless allure of classic RnB stirred by a masterclass of modern electro-pop sensibilities. This fourth single from his upcoming album, ‘NOTHING CHANGES IF NOTHING CHANGES,’ feels like a late-night confession set to music, inviting listeners into an incredibly soulful and profoundly honest nostalgia.
Taking cues from legends like Michael Jackson and George Michael are unmistakable, Dreezer channels their iconic style reminiscences of the 80’s vibes while carving out his unique sound. The track features a silky blend of lush vocals and rich instrumentation, a soulful bassline that echoes in your chest, complemented by lyrics that hit right in the heart. Produced by his long-time collaborator, Elliot Richardson, at Highfield Studio, the track’s meticulous production is pristine, giving Dreezer’s crisp voice the spotlight it deserves without overwhelming its emotional rhythmic core.
What truly sets this song apart is its lyrical ability to express strength through a transformational empowerment ballad. Dreezer masterfully dissects the pain of love gone wrong, shifting the blame from love itself to the person who misused it. The refrain, “Love didn’t hurt me, it was you,” is as catchy as it is cutting a mantra for anyone who’s been through the wringer of a toxic relationship.
It’s evident that Dreezer’s evolving catalog has garnered substantial praise from fans and critics alike for his unparalleled level of artistry in forging emotional authenticity. The must-listen song “(Love Didn’t Hurt Me) IT WAS YOU” epitomizes the pinnacle of R&B soul, establishing a high standard for future releases. Its enduring impact extends beyond the final note, deeply resonating with its audience.
For more information about Alan Dreezer, please visit [website].
CLICK HERE TO STREAM Alan Dreezer’s “(Love Didn’t Hurt Me) IT WAS YOU“ on Spotify.
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Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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