Artist Spotlight
“Stop Waving the Gun” by Eddie Cohn stirs a soulful plea for empathy to disarm
Eddie Cohn doesn’t hold back as he crafts a compelling yet optimistic composition, “Stop Waving the Gun,” a searing anthem that cuts straight to the heart of America’s complicated connection with gun culture and demands urgency and soul. The Los Angeles-based multi-instrumentalist’s latest single delivers an emotional gut punch, articulating the frustration and desperation many feel today with society’s growing desensitization towards violence. Through lyrics that encourage a reevaluation of societal attitudes on how we treat life, Cohn’s vocal delivery underscores the significance of his heartfelt message, drawing comparisons reminiscent of esteemed grunge-inspired artists, such as Eddie Vedder and Layne Staley.
The song features thunderous drums by Jake Reed and sweeping orchestral strings from Philip Peterson, building a dramatic sonic landscape reflecting its themes’ intensity. Brett Farkas’ electric guitar work, paired with Sean Hurley’s bass, creates a beautiful tension that pulls at your emotions, while Cohn’s acoustic guitar and poignant singing bring everything together. The track, recorded across Los Angeles with help from Seattle’s music scene, merges organic rock elements with the unique urgency of its plea, making it a powerfully memorable impression that stays with listeners long after the final chord fades.
The production is impeccable, with Kevin Penner’s mix and master highlighting every intricate layer. There’s an almost palpable tension within each beat and strum, capturing the fragility of the subject matter. Cohn’s mix of vulnerability and passion shines through in every note of lyrics, inviting listeners to lean in, truly feel the gravity of gun violence, and consider empathy an alternative weapon. “Stop Waving the Gun” doesn’t just critique; it invites reflection on the sanctity of human life and the desperate need for deeper understanding.
“Stop Waving the Gun” stirs the soul and sparks contemplation, a true reflection of our times. It reminds the audience of the power of music to evoke change and instill compassion. Cohn’s brave artistry calls listeners to confront our turmoil unapologetically with open hearts and minds.
For more information about Eddie Cohn, please visit [website].
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Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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