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Rick Ross Fires Back at 50 Cent, Threatens to Buy His Masters After Millennium Tour Jab

HonkMagazine

The ongoing feud between Rick Ross and 50 Cent has just taken an interesting turn. Recently, 50 Cent took to social media to mock Ross for joining Bow Wow’s “Millennium” tour as a special guest. He suggested that Ross couldn’t sell tickets by himself, saying something like, “People go quiet when they have to open for Bow Wow. He can’t sell a ticket!” Not stopping there, 50 continued his jabs the next day, sharing an article about his comments and adding even more shade, pointing out that Ross is getting paid $30,000 per show just to open for Bow Wow.

In response, Rick Ross fired back in a big way that could really turn the tables. He hinted at a plan to buy 50 Cent’s music rights, saying, “I’m about to go buy 50 Cent’s masters just so he has to call me Boss.” Owning an artist’s music rights is a huge deal in the music industry because it means having control over how that music is used and how much money is made from it. These two have been at odds for over ten years, usually taking shots at each other through diss tracks and social media posts.

However, Ross’s latest move might be the most impactful, potentially affecting 50 Cent’s income from his own work. Fans of hip-hop are really enjoying this drama and are curious to see if Ross is serious about his plan or just playing around. One thing’s for sure, these two aren’t letting their rivalry die down anytime soon. With Ross making bold moves and 50 Cent continuing to troll, the next part of this story will surely be just as entertaining.

Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Alwyn Morrison

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Fanny Alexandra

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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