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Puddah breaks the sound barrier with ‘W4TCH THIS!’

Puddah

Puddah wants your attention with his new release, “W4TCH THIS!” a single that sounds like a shovel of sand dragged from the future into the mosh pit of today’s trap industry. It feels like some bottled-up chaos blasted through distorted 808s and glitchy transitions that hijack your senses. It’s raucous, dirty, and unapologetically savage. There’s a beautiful kind of entropy at work here, where the production is constantly kneeling between madness and precision as the beat rises and falls, and Puddah rides it with a raw, even feral vocal delivery.

This is the sound of a musician breaking out. “W4TCH THIS!” wipes it out. One minute, you’re deep in some sweaty warehouse set through a stadium crowd. It’s a perfect storm of grit, gloss, and DIY aesthetics colliding with chart-hungry aggression. The warped bass all but rattles your skull, but it’s the deliberate dissonance that makes this music so addictive. Every whirling glitch, vocal punch, and rapid beat switch arrives as if it were designed, not to be pleasing but provoking. And it works. You don’t just get told, “W4TCH THIS!” you feel it in your chest, gut, and adrenaline.

At a point when much of trap music sounds cookie-cutter, Puddah subverts the equation, carving out an identity on the sonic map that defies classification. “W4TCH THIS!” is for the daring, for the restless, for the ones who want something that sounds like it’s on the brink of imploding but never quite does, making this track stick. Puddah’s “W4TCH THIS!” will do the trick. Whether you’re a fan of the underground rage scene or need something to break up the monotony of your playlists, Puddah’s “W4TCH THIS!” is the best wake-up call and trust, you’ll want to keep hitting replay.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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