Music
Mckey. finds poetry in letting go with new single, “Most of the Blame”
In the new single “Most of the Blame,” singer-songwriter Mckey. invites us into the quiet corners of heartbreak, which cannot scream of betrayal but only sighs with the pressure of emotional truth. Injecting her soulful pop with the warmth of indie folk and the breezy undercurrent of Bossa Nova textures, Mckey. offers an intimate and universal song, a confession muttered over a quiet moment. “Most of the Blame” is a lament of loving someone wholeheartedly even while you know they’re not right for you.
It’s an aching, quiet recognition, both bittersweet and acute, that love, in all of its beauties, in any of its beauties, is not always enough to keep two people together. But it’s that emotional coloring that makes this track stand out. Mckey.’s vocals hold a warm assurance as they hover above production that sways rather than stomps. Over a soothing pulse and simmering coloration, the warm tones enfolding the lyrics a weighted blanket to the words, cooling presence the music cradles as well as the lyrics tell. Some of what makes most of the blame resonates with emotional maturity. It locates the grey area of relationships in which no one did anything “wrong,” exactly, but staying in love is harder than leaving would be.
Mckey. sings in one of those ways that sounds like you’ve been let in on a secret, the kind you never knew you wanted to hear until you stumbled upon it. The track is indelible, the impression one that is of vulnerability, resilience, and self-awareness. It’s the music for your nocturnal meditations, silent walks, or whether, at last, you throw in the towel for your own peace. Mckey. extends her lane as a genre-blending storyteller unafraid to live in the emotional in-between. “Most of the Blame” is a meditation on love, timing, and the bittersweet freedom of finally choosing yourself.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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