Music

Adam De Lucia’s “Girl” turns jazz crossover into a playful poem to forbidden desire

Adam De Lucia’s new single, “Girl,” is a fun and playful song that explores the concept of attraction in a fresh and engaging way. Unlike many songs that deal with love, especially in unique situations, De Lucia approaches the topic with humor and charm, celebrating his feelings without heavy drama or judgment. While it shares similar themes with classics like “Roxanne” by The Police and “Mama” by Genesis, De Lucia’s take feels much lighter and more relatable.

“Girl” has an upbeat vibe that reminds listeners of The Beatles’ catchy tracks, such as “Twist and Shout” and “Ticket to Ride.” It combines the joy of pop music with elements of jazz, making it an interesting blend of styles. This fusion is something De Lucia doesn’t often explore, making this song a special treat for fans. One standout moment in the song includes a line in French, “gardons le entre nous,” which cleverly nods to Bob Dylan’s classic, “Let’s Keep It Between Us.” It’s little details like this that give “Girl” depth, pairing catchy melodies with clever lyrics and cultural references while keeping the rhythm lively. The recording showcases a fantastic collaboration with several talented musicians.

It features Donny McCaslin on saxophone, along with Michael Ghegan on various instruments, and Henry Hey on keyboards, among others. Together, they create a rich and vibrant sound that stands out. “Girl” highlights Adam De Lucia’s ability to cross genres and moods effortlessly. With its catchy tune, witty lyrics, and impressive musicianship, the song encourages listeners to rethink their ideas about desire and secrecy, all while maintaining a lighthearted and engaging feel. In a music scene filled with predictable themes, “Girl” stands out as a fun, relatable, and captivating piece.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

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