Artist Spotlight
A Good Rogering explores heavy riffs in their new single “Panthalassa”
A Good Rogering, austin’s hard rockers, return with their new single, “Panthalassa,” which dropped on November 21st, 2025, a whirlwind of mood instability for those fans. There’s a contemporary atmosphere woven through the track, with a deep, lasting texture that extends well beyond the fade-out. It’s aggressive but reflective, purging but precise, an uncommon middle ground on which not many hard rock bands land this convincingly.
The production by Kfir Gov, Skunk Manhattan, and Tim Driscoll at Austin’s Evil Snail Studios is tight and muscular. Each of Jeff Gonzalez’s drum hits falls with a snapping report, and lead guitar from Tim Driscoll cuts through the mix like molten barbed wire. Elsewhere, Skunk Manhattan gets fetish dirty on the double duty of voice and strings, doing so with conviction as well as intensity. Add Kfir Gov’s percussive layers for an added pop, and you have something with a kinetic heartbeat.
“Panthalassa” is a dive into dark emotions, a moment when hard rock and fine feelings collide. For listeners who crave thick riffs and atmospheric pressure, and for those with a taste for music heart-on-its-sleeve, this track signals A Good Rogering as a band not willing to compromise on their edges. It’s concise, just a bit over four minutes, but it makes an impression that sticks around, a vivid indication that Austin’s hard rock scene is still bashing out music that speaks to both the head and the gut.
Connect with A Good Rogering on Spotify
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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