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Artist Spotlight

Jon von Boehm crafts a musical adventure through jazz, rock, and r&b with latest release “Not Today”

Jon von Boehm

Jon von Boehm, a talented artist and well-known bass player, confidently releases his new single, “Not Today.” This is the first song from his new project. This five-minute instrumental piece is a great way to start a musical journey focused on working together, being creative, and expressing deep feelings. Von Boehm puts together an amazing group of musicians who bring the track to life with their natural, lively energy. He does this by using his years of experience as a session musician. The rhythm is based on a great group of drummers, Marcus Finnie, Cory Ponder, Kyle Edmonston, and Michael Green.

Their lively interaction keeps the song going. Guitarists Jake Patterson, Cole Clark, and John Gallo add depth and nuance by carefully layering tones and textures. “Not Today” is a genre-bending journey through sound that combines jazz fusion, instrumental rock, and classic rhythm and blues. The piece changes naturally, letting each musician shine while maintaining the overall emotional arc. It is a piece that shows both spontaneity and careful craftsmanship, and it is very emotional while still being very good at playing music.

“Not Today” is really about telling stories without using words. Von Boehm’s bass lines move the story along, taking listeners through times of thought, intensity, and freedom. The result is a complicated soundscape that makes you want to listen to it again and again, each time finding something new. This release sets the stage for what should be an interesting project, grounded in working together, feeling, and daring musical exploration.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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