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Artist Spotlight

Tony Frissore lights up lunar new year with “Island Lantern Festival”

Tony Frissore

Tony Frissore’s latest single, “Island Lantern Festival, “is a calm, bright way to celebrate the new year. The piece is more about self-reflection, warmth, and community illumination than it is about excitement and showiness, which is what the Lunar New Year is all about.

From the first note, the music takes you to a tropical night where glowing lanterns float through the air. Frissore’s ability to mix soft rhythms, calming flutes, and subtle global influences creates a sound space that is both personal and broad. The track has a sunny sway thanks to subtle reggae undertones, and the lo-fi, introspective layers remain audible. The music is calm but subtly uplifting, making it great to listen to at night or when you want to think about yourself as the new year begins.

The “Island Lantern Festival” is special because it can make people feel like celebrating without any show. Frissore doesn’t convey the spirit of renewal, prosperity, and unity. Instead, he creates a mood, texture, and musical subtleties. The track sounds modern, but it could also be from any time. It’s a modern tribute to tradition that crosses cultural and sound lines.

Frissore’s “Island Lantern Festival” is a powerful reminder of how nice it is to be calm, with others, as the lanterns rise and the night settles into the mind. He is celebrating the Lunar New Year with the “Island Lantern Festival,” which is also a way to slow down and connect with others in a world that moves too quickly.

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Artist Spotlight

St. Art paint tunes into possibilities on new release”Metanoia”

St. Art

St. Art, the experimental pop band also known as the Quantum Synthesizer, has released its new single, “Metanoia.” This track goes beyond what we usually think of as music. This is more than just music, it’s an experience, a meditation, and a journey through places yet to be explored.

“Metanoia” is, at its heart, a brave look at sound as a form of energy. St. Art doesn’t just make music, they connect with the essence of reality and create sounds that wake up both memory and intuition. Synthesizers make sounds that are both strange and very familiar. Listening turns into a conversation full of possibilities, a place where the real and the abstract meet.

This doesn’t fit the usual definition of pop music. It’s a new way to change sound so that melodies become probabilities and feelings become harmonies. Every note and waveform seems to change how the listener sees things, which lets them “see” sound and “feel” probability. It makes you think and gives you energy at the same time. It’s personal, but it also lets everyone in.

St. Art’s tools are just as strange as their methods, frequency and intuition synthesizers, languages that can’t be spoken, images that can’t be erased, and voids that are full of everything. In “Metanoia,” these instruments work together to create a universe out of sound. This shows that music isn’t just for fun, it can also be a way to get somewhere. “Metanoia” is a way for people ready to try something new to enter a world where creativity, consciousness, and quantum probability come together. St. Art tells you to listen, but it also tells you to get involved, grow, and maybe even have your own “Metanoia.”

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Artist Spotlight

Jeff Vidov explores the bittersweet beauty of liberation on “Freedom is so Divine”

Jeff Vidov

Jeff Vidov, Canadian composer and pianist, has released his 14th single, “Freedom is so Divine.” It’s a long orchestral ballad that blends mid-tempo soft rock with cinematic beauty. From the first note, Vidov’s unique orchestral richness creates a listening experience that is both deeply moving and thought-provoking.

This ambitious piece features a full orchestra and is available in two versions, each sung by a different male singer. There is also a short radio edit that lasts just under 3:30. The song’s two meanings show how flexible it is, allowing listeners to hear its emotional subtleties in slightly different ways.

“Freedom is so Divine” sums up the contradiction of freedom, happiness mixed with sadness. Rich instrumentation and moving vocal performances tell a story of being alone, growing as a person, and the quiet strength that comes from trying new things. Vidov’s orchestral sensibilities give the song a cinematic feel, and the soft rock elements make it easier to listen to by connecting the grand with the personal.

Vidov’s music crosses borders, as shown by the more than 120 articles about his work and airplay on many radio stations around the world. This track shows that he can write songs that make you think and that everyone can relate to. “Freedom is so Divine” is more than just a song about being left behind, it’s about the freeing yet sad moments that make up the human experience.

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