Artist Spotlight

Myriam Bouk Moun finds rhythm in her voice with “Le Groove”

Myriam Bouk Moun’s latest single, “Le Groove,” is very bold and grabs your attention right away. Bouk Moun only uses her voice as an instrument. Most music sounds very complicated, but this is a big change, resulting in a piece that is both simple and interesting, with a single, dynamic groove that flows smoothly from rhythm to texture to melody.

“Le Groove” is magical because it is so moderate, and Bouk Moun takes simple tongue clicks, hums, and harmonies and turns them into a full track. This shows that complexity doesn’t just come from layers or effects. It’s about being there, being quiet, and letting sound echo. The rhythm sounds natural, stylish, and easy, which makes people want to move and give in before they think about the art in it.

Bouk Moun’s a cappella style draws on jazz improvisation and incorporates elements of world music. It makes me think of Bobby McFerrin’s creative singing, Zap Mama’s rich polyphony, and Camille’s cutting-edge vocal experimentation, all seen through her own modern lens. Her voice has a rhythmic heartbeat and a lyrical whisper that is poetic in French and universally moving. Every nuance of her voice serves both as percussion and melody.

“Le Groove” is a celebration of the body as an instrument and the voice as a way to show rhythm and feeling. Myriam Bouk Moun’s writing is both subtle and very confident, stylish and personal. The rhythm only works because she makes it happen. Simple things are powerful, being present is interesting, and the human voice can inspire awe in many ways.

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Artist Spotlight

Gus Ormo finds a gentle balance of sound on latest release “Claroscuro (APAPE)”

Gus Ormo‘s latest release, “Claroscuro (APAPE),” is an instrumental piece built from a carefully selected set of sounds. Clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs make up the track. The vocal element is absent from the foreground; the instruments themselves establish the piece’s character.

The arrangement shows the contrast of its different textures. Bass and piano provide the grounding, with trumpet and flutes supplying the melodic color. Congas, drums, and shakers provide percussion, while the acoustic and lead guitars enrich the instrumental palette. These elements are incorporated into the song’s somber mood, but it remains mostly soft and emotion-driven.

What appeals to “Claroscuro (APAPE)” is its dedication to an instrumental expression that is soft on the heart. It’s not the words that convey the mood; it’s the instruments. Gus Ormo combines strings of rhythm, melody, and texture to produce a piece that sounds deliberately restrained, and each section contributes to the overall musical picture.

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Artist Spotlight

Gus Ormo brings warmth and tenderness on latest release “Latidos”

Gus Ormo’s latest release, “Latidos,” is an instrumental, so it must rely on its musicianship to carry the emotional weight. Instead of a vocal to guide the listener, the arrangement features clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs. The combination is a well-layered musical setting, with a somber character and a soft approach to the heart.

The piano and guitars add important touches to the arrangement, the trumpet and flutes add more color. Percussion, congas, drums, and clean shakers add movement but don’t detract from the gentle nature of the track. The bass anchors the song, while the lead and acoustic guitars provide an additional layer to the instrumental mix.

What sets “Latidos” apart is the quiet emotional intent. Instead of singing of its feeling, the piece creates a solemn and tender atmosphere with its collection of instruments. Still, Gus Ormo’s method stresses the connection between the instruments. It is an instrumental piece that should touch the heart with softness and not in excess.

Connect with Gus Ormo on Spotify