Artist Spotlight

LaCosta Tucker brings new perspective to “It Matters to Me”

Long before “It Matters to Me” was one of Faith Hill’s signature early hits, LaCosta Tucker had already done her own version of the song, letting listeners get a taste of the song through a different artistic lens. The song, penned by acclaimed Nashville songwriters Ed Hill and Mark D. Sanders, comes with a bit of country music history, and Tucker’s recording puts herself right in the middle of it.

What’s interesting about LaCosta Tucker’s “It Matters to Me” is the timing of it. Tucker’s version was the first, but it was Faith Hill’s recording that would go on to be the title track of her multi-platinum second album and a staple of country radio. That distinction makes the release historically significant, especially for those who are interested in hearing the “other” versions, and the artistic journeys that led to the well-known country songs.

It’s not enough to simply look at the track as a success story in the making; Tucker’s take is a recording that deserves consideration in its own right. Her connection to the song allows old country fans and new audiences alike to explore a lesser-known part of history surrounding a song that ultimately achieved major recognition. For platforms that help people discover music, that backstory makes the single an especially compelling reason to get revisited.

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Artist Spotlight

Bog Witch explores regret, fractured emotions, and lost love on latest release “Have Much”

Bog Witch’s art-rock/dark-wave offering, “Have Much,” is about the aftermath of a failed relationship. Dark emotional territory, textured instrumental palette. The story starts with the devastating thought that this relationship may never have been meant to be, then moves on to disappointment, bad decisions, and the voices of emotional damage left behind.

This song is not just a simple story about a man who lost to a broken heart. It’s about the aftermath, the fractured thoughts, the regret, the emotional scars, the battle with memories that always remind one of past choices, and the realization that the other person had little to give in the first place.

“Have Much” is built around guitars, bass, drums, synths, and pads, a solid palette for Bog Witch to explore its darker thematic concerns. The music is heavy and atmospheric, and the combination of live band instrumentation and electronic textures works well with the release’s art-rock and dark-wave identity.

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Artist Spotlight

Carl Kammeyer captures the long road after a breakup on latest release “Since You Been Gone”

Carl Kammeyer’s latest release, “Since You Been Gone,” captures an emotional fallout, the lingering thoughts of longing, of unanswered questions, and of the sheer effort that goes into moving on. “Since You Been Gone” makes the personal universal for anyone who’s had trouble moving on, with themes of loss and perseverance. It’s more than simply missing someone and about trying to make sense of what happened and still feeling the emotional impact of their absence.

The track was recorded entirely in his own space, a testament to a personal and intuitive creative process rather than a production born from outside pressures. Slowly, Kammeyer built up spontaneous events and intentional layering, giving himself the freedom to work out the details at his own pace.

The track is based on a contemporary base of indie pop, commercial pop, and drum-and-bass/jungle. That mix of personal production and universal feeling is what makes “Since You Been Gone” so special. Kammeyer doesn’t need to go through it to relate. The craving, the bewilderment, and trying to get past it all are enough emotional material to support the release.

Connect with Carl Kammeyer on Spotify || Instagram || Facebook || Youtube