50 Cent has another chance to turn a trending social media controversy into entertainment. The rapper recently shared an AI-generated remix of his “P.I.M.P.” music video, swapping Snoop Dogg for Nvidia chief executive Jensen Huang as a joke at the tech executive’s expense amid allegations surrounding his personal life.

The post was on 50 Cent’s Instagram, where the rapper used artificial intelligence to reimagine a familiar video concept. In the AI version, Huang takes Snoop Dogg’s place in the clip, making for an unlikely crossover between hip-hop culture and the tech industry.

The joke comes amid reports alleging Huang was involved in an affair with a Chinese intelligence asset and a separate relationship with a subordinate. The allegations have drawn scrutiny given the executive’s role in the tech industry and the broader debate over artificial intelligence and China’s role in the sector.

The allegations have also raised concerns about Huang’s business ties to China, particularly given the stakes of the AI race. But the allegations about his personal relationships are unverified and should not be taken as facts.

50 Cent’s response was good-naturedly typical. He refrained from commenting in detail on the alleged controversy. Still, he used the situation as the subject for an AI-edited music video, placing Huang in a setting related to one of his well-known records.

The move also aligns with the rapper’s history of using social media to make fun of public figures who become the subject of controversy. In the past, he has aimed at Diddy and Ja Rule with his online commentary, and Huang is now among those caught up in the rapper’s never-ending stream of jokes.

The AI bit adds another layer of comedy. Huang’s name has become shorthand for a certain technology, and his professional world was the subject of a parody that turned a serious news story into an internet-ready visual gag.

It’s a strange blend of entertainment and technology, but the post shows how fast public controversies can become fodder for online jokes. A top executive at one of the world’s largest technology companies suddenly found himself woven into a hip-hop video mashup.

The substitution is especially noticeable since the original video idea for “P.I.M.P.” was already an established part of 50 Cent’s musical career. The rapper delivered a visual punchline that needed little explanation by putting Huang in Snoop Dogg’s place.

While Huang’s allegations were far more serious than a celebrity joke, 50 Cent took a light-hearted approach. His AI remix has sparked yet another surprise in the conversation, yet again proving how he leverages social media to transform trending names into viral content.

Nearly a decade after releasing the song that opened him up to a much broader audience, Tay-K says he still loves “The Race.” In a new interview with Complex, the rapper reflected on his breakout 2017 record and discussed how authorities later used the song against him in court.

The interview, released Wednesday, November 11, is Tay-K’s first in nearly 10 years. Now 26, the rapper spoke about the song’s place in his life and made it clear that its association with his legal troubles hasn’t changed how he feels about the music itself.

“I love that song, bro. “I ain’t gonna lie,” Tay-K told Complex. “I don’t want my feelings about my own artistic work to be defined by the way the track was used in court,” he went on.

“That’s just a song for real,” he said, adding that he wouldn’t let people who are trying to weaponize it in courtrooms make him dislike his art. He said the song should be seen as art and nothing else.

His comments show how he separates a record’s creative meaning from the controversy later attached to it. Tay-K had a huge breakout hit with “The Race” in 2017, but the song’s use in court gave it an importance that transcended its musical identity.

For the rapper, those two realities need not be mutually exclusive. He believes a song should be judged artistically, and not be completely defined by the way others want to use it. He made that distinction directly in the interview, without suggesting the record’s legal history should be ignored altogether.

The conversation also reaches a pivotal point in Tay-K’s life. The interview comes about a year after his transfer to state prison, after eight years in county jail. This is the first time he’s done a public interview in a long time, so it’s a big deal for anyone who’s been following his career and legal issues.

“The Race” remains closely tied to the events that shaped the public conversation about Tay-K, but his comments show he still sees it as a major part of his artistic work.

The rapper’s answer also reminds us that a song can take on meanings its creator may not have intended. A record may start as an act of creativity, but it may become part of a much larger public or legal discourse. Tay-K seems intent on keeping that later association from erasing how he initially viewed the music.

His recent interview does not change the circumstances of the song’s use in court, but it does clarify his own feelings on the matter. Ten years later, nearly, Tay-K still loves “The Race” and doesn’t feel its courtroom history should take away from its identity as a work of art.