Music
The Weeknd Put Together An ‘After Hours’ Medley For His 2020 AMA’s Performance — And Kenny G Helped
Getty Image Abel Tesfaye showed up with his face bandaged, walking down the Sixth Street bridge for his performance. …
Coming to you live from downtown Los Angeles, for the 2020 AMA’s The Weeknd was sporting an entire face bandage during his performance of two songs off After Hours. Abel Tesfaye has been infamously showing up with an injured or bandaged face during this year, to mimic the aesthetic of his new album, which has been achieved with makeup and is not actually injuries. The entire face bandage he sported during his acceptance speech for R&aB album world had a few viewers who weren’t familiar with the shtick uneasy, but as far as we know, Abel is fine.
.@TheWeeknd performs “In Your Eyes” & “Save Your Tears” at 2020 #AMAs. pic.twitter.com/MpofjlvUjO
— Pop Crave (@PopCraveMusic) November 23, 2020
For his performance, The Weeknd opted for an outdoor show, walking along the length of the 6th Street Bridge (an infamous bridge in LA) and setting off fireworks in his wake. The bandages on his face perhaps make a bit more sense now, as they probably also helped him remain incognito while getting around the outdoor location. Kicking off with a jazzy solo from none other than Kenny G, Abel launched into a medley of the two latest singles off his album, “In Your Eyes” and “Save Your Tears.” Walking while singing and hitting all his marks for the plethora of fireworks isn’t an easy, phone-it-in show, Abel really brought it. Check out the video above.
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Vanda stirs an electrifying vibe through the waves of grief with her recent single “I Don’t Swim”
Emerging from the profound loss experience, Vanda presents a compelling exploration of sonic and emotional landscapes in her latest single, “I Don’t Swim.” This dynamic anthem embodies a spirit of resilience, offering a rich and introspective blend of dance-infused alternative pop. Vanda’s distinctive vocal delivery skillfully captures the duality of grief with the buoyancy of personal growth, creating a transformative auditory experience for listeners.
Following the passing of her best friend, Vanda’s artistic direction undergoes a notable shift. “I Don’t Swim” replaces the introspective alt-pop elements characteristic of her debut album, ‘Sober In Another Life,’ with an energetic, dance-oriented sound that acknowledges underlying pain rather than concealing it. This composition serves as a paradoxical celebration: it possesses the capacity to elicit tears while simultaneously encouraging listeners to immerse themselves in its infectious rhythm on the dance floor.
The electrifying instrumentation and rhythmic beats provide a lush tapestry of shimmering synthesizers, dynamic percussive elements, and cascading melodies, resulting in a soundscape that feels uplifting and intimately personal. Vanda’s fearless lyricism remains strikingly audacious, featuring vivid imagery and profound vulnerability as she navigates the challenging terrain of grief.
The true artistry lies in Vanda’s vocal performance, where each note represents a delicate equilibrium of strength and fragility. It imparts a captivating emotional energy that resonates beyond the song’s conclusion, reaching those in the healing process. With “I Don’t Swim,” Vanda exemplifies her evolution as both an artist and an individual, adeptly maneuvering through life’s complexities with authenticity and elegance. This track functions as a musical lifeline for those seeking solace amidst adversity. Vanda’s journey articulates a resounding message: while grief may surge like relentless waves, resilience has the potential to inspire joyful celebration.
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Artist Spotlight
“Fleeting and Forever” by The August Arrival delivers a tender Ode to life’s eternal echoes
The August Arrival, under the leadership of Sara MacDonald, the heartbeat of this Yukon indie-folk band, embodies a tender ode to the impermanence of love and life, beautifully mirroring the natural cycles of growth and loss through their third single, “Fleeting and Forever.” This composition draws sonic inspiration from artists such as Postdata and Blind Pilot. Its poetic lyricism and driving melodies echo Manchester Orchestra’s depth, creating an evocative atmosphere akin to a gentle whisper carried by a cool northern breeze. The result is a soul-stirring blend of vulnerability and strength.
Central to this piece are MacDonald’s ethereal vocals, which unfold with unwavering acoustic strums and subtly layered lush instrumentation, creating an intimate and expansive sonic space. The lyrics convey an unflinching honesty here, resembling a heart-to-heart dialogue beneath a starlit sky while grappling with themes of uncertainty. Listeners can feel the weight of hard-earned truths, yet the song never succumbs to despair. Instead, it radiates a quiet resilience, finding beauty in the ever-changing nature of existence.
The process of writing this song served as a therapeutic endeavor; the accompanying arrangements are understated but deeply evocative. Subtle strings weave in and out, echoing the transient connections the song reflects on. It’s a musical embrace that is simultaneously warm and melancholic but never overwhelms the listener.
What renders “Fleeting and Forever” particularly compelling is its inherent duality. It’s a deeply personal snapshot of a difficult time yet resonates universally with anyone who’s wrestled with the bittersweet realization that nothing lasts forever. The heartfelt lyricism and reflective tones provide a sense of solace: within life’s impermanence lies an opportunity for renewal and the appreciation of beauty. As part of the forthcoming album ‘Hillside,’ this third single establishes The August Arrival as a master of crafting immersive narratives that evoke a listening experience. It reminds the audience to acknowledge the prompt nudge to cherish fleeting moments, as these experiences contribute significantly to the meaningfulness of life, resonating well beyond the final note.
For more information about The August Arrival, please visit [website].
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