Music
Fans Are Mad About Egregious 2021 Grammy Snubs For Harry Styles, Fiona Apple, And Women In Rap
Getty Image As is tradition, there are complaints about the list of Grammy nominations and some are justified. …

The full list of nominees for the 2021 Grammys was announced starting at noon ET this morning, which means the inevitable criticisms of the list began at approximately 12:01 p.m. ET this morning. One important piece of information to remember during these trying times, though, is the eligibility window: Only works released between September 1, 2019 and August 31, 2020 are eligible to be nominated at the 63rd Annual Grammy Awards. Even with that in mind, however, there were some head-scratching omissions this year.
The most immediately obvious and profoundly confusing is The Weeknd not earning a single nomination for After Hours, “Blinding Lights,” and other related works. Both the album and single topped the charts (“Blinding Lights” actually just set a longevity record) and were critically beloved. It’s possible The Weeknd didn’t submit any of his work for consideration this year, but if he did, the confusion of fans on Twitter is justified.
The Weeknd having the biggest song of the year and the best album was snub by the #GRAMMYs … pic.twitter.com/0yklLwaPjd
— mat (@stxxboy2) November 24, 2020
so you telling me the weeknd, abel, got snubbed for EVERY category for the grammys…. that doesn’t make any type of sense
pic.twitter.com/PppNdLd0Og
— mAwAhIb is a hot gurl 🙂 (@itsmawahib) November 24, 2020
the weeknd gave one of the best visuals, quality music and era from any artist this year and the grammys still snubbed him… pic.twitter.com/AvmfTW7QFb
— chu (@chuuzus) November 24, 2020
Similarly, some people are wondering why Harry Styles’ Fine Line and Fiona Apple’s Fetch The Bolt Cutters, two of the year’s most acclaimed releases, didn’t earn Album Of The Year nods.
HOW GRAMMYS GONNA SNUB HARRY AND THE WEEKND FOR AOTY??? THEY HAD SUCH A BIG YEAR???
— ęᴴ
(@SHESRAREAOTD) November 24, 2020
I haven't screamed like this all year.
I am so ridiculously proud of him and the #GRAMMYs can live on with me for another year….but not including him in the bigger categories is a snub.
Congratulations Harry Styles!
— Days of Young Harry #NbN4Harry (@Piki_DaysOfYH) November 24, 2020
The Grammys have always made less sense to me than the Golden Globes…but oh well. Still doesn’t make me less disappointed for Album of the Year snubs for Chromatica and Fiona Apple.
— Brian Whisenant (@brianwhisenant) November 24, 2020
Wow the #grammys are a big joke this year. Happy for @DUALIPA but the snubs on @theweeknd and Fiona Apple for @justinbieber ?!? Scooter Braun must be paying these fools because Yummy is garbage.
— fabri8788 / Jonathan Mattingly is a murderer (@fabri8788) November 24, 2020
Meanwhile, hip-hop heads wondered why women didn’t have a significant presence in the rap categories: Of the 20 works nominated for Best Rap Performance, Best Melodic Rap Performance, Best Rap Album, and Best Rap Song, only two were by women, and they were both the Beyonce remix of Megan Thee Stallion’s “Savage.” On the bright side, though, women dominated the Best Rock Performance category.
do the grammys know women rap too? https://t.co/dhITIlx3lM
— lowercaseg (@Saint_Martha) November 24, 2020
Why were there no women nominated in the #GRAMMYs Rap category besides Megan Thee Stallion & Beyoncé for ‘Savage’?
— Marques Stewart (@MarquesJStewart) November 24, 2020
All of the black women nominated for R&B/rap at this year’s #GRAMMYs
Beyoncé
Chloe x Halle
H.E.R.
Megan thee Stallion
Jhené Aiko.… that’s it I think.
— Taylor Gray (@officialtaygray) November 24, 2020
Check out some tweets about other snubs below and find the full list of 2021 Grammy nominations here.
(insert impressively classy and gracious but still recognizing of complete snub tweet here)
— el-p (@therealelp) November 24, 2020
0 nominations for run the jewels…
0 nominations for mac miller??
AND 0 NOMINATIONS FOR THE WEEKND?!?! pic.twitter.com/rNIDBmLJsC
— The Best Pizza Connoisseur ➐ (@thedeepdishking) November 24, 2020
lady gaga got only 2 grammys nominations despite having a critically acclaimed album & one of the biggest songs of the year. the weeknd, blackpink & selena all have 0 nominations despite being some of the biggest acts of the year but justin has 5 with a critically panned album?
![]()
— LG 〄 (@EnigmaticGaga) November 24, 2020
Lady Gaga has been nominated for "Snub Of The Year" at the 2021 #Grammys.
Congratulations! pic.twitter.com/lN5CY07ioh
— Marios | L.G (@Gagas_Sonn) November 24, 2020
The Chicks aren't nominated for any Grammys??? pic.twitter.com/tEgkDF8JTF
— Matt Stopera (@mattstopera) November 24, 2020
and the chicks got zero nomination. like wtf, gaslighter is such a beautiful. well written, well produced. ghad. still gaslighter and chromatica are my albums of the year
— moon carat ⨟ (@shanpatrickoko) November 24, 2020
@thechicks were robbed and I am upset.
— Ang
(@angieee_isabel) November 24, 2020
The Weekend & Summer Walker were for sure robbed. #GRAMMYnoms
— Kesha Brooks (@Xclusivekesh) November 24, 2020
No Kehlani, summer walker or weekend? #GRAMMYs
— Eugene Smilez on Everything (@EugeneSmilez) November 24, 2020
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
MIVA unveils a soft texture with an unexpected grit on latest release “Do You”
“Do You,” an alternative R&B track, evokes a compelling sense of motion, MIVA, one that finds itself comfortably between familiar textures and surprising production choices. The Montreal-based artist, producer, songwriter, and visual artist considers music part of a larger world where sound, fashion, and cinematic storytelling converge.
The production doesn’t want to stay still, not least through the saxophone, which gradually mutates into something like an electric guitar. It’s an odd detail that gives the arrangement an evolving character without detracting from its alternative R&B foundation. Vocal fry adds an unexpected metal influence to the track, adding some grit and tension below the softer textures.
MIVA allows different influences to coexist in the same space rather than being defined by a single, obvious musical direction. The result is a very identity-driven track, with a hypnotic rhythm, expressive vocals, and production choices that keep the listener on their toes throughout. “Do You” is a showcase of MIVA as an artist who is unafraid to explore the space between softness and intensity, offering an alternative R&B experience with its own character.
Artist Spotlight
With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change
Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.
Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.
Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.
The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.
Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.
-
Artist Spotlight5 days agoMaija breathes new life into classic emotion with latest release “Where Is the Love”
-
Artist Spotlight6 days agoDaiyon raises the stakes with unstoppable energy on latest release “Vicous”
-
Artist Spotlight5 days agoCrispy C Notes brings focused ambition on latest release “Chosen”
-
Artist Spotlight5 days agoFinn pensively looks back on fading memories on latest release “Last Love Song”
-
Artist Spotlight5 days agoBrian David finds quiet strength through emotion with new release “The Echo in Your Soul”
-
Artist Spotlight2 days agoMichael Soul transforms destructive love into hypnotic dark pop on “DAYNIGHT”
-
Artist Spotlight2 days agoCaptain Iron / Windrift Band turn betrayal into a sea-shanty story on “Burned to Tears”
-
Artist Spotlight1 day agoROSANNE BAKER THORNLEY adds guitars, bass, and emotional warmth to “Falling”


(@SHESRAREAOTD)
(@angieee_isabel) 