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Drake And Nicki Minaj Call For ‘Something New’ After The Grammys Failed To Nominate The Weeknd

Getty Image The ‘Certified Lover Boy’ rapper said it is time to ‘accept that what once was the highest form of recognition may no longer matter.’ …

The music world is still high on their disappointment with the Grammys after they did not nominate The Weeknd for their 2021 show. The snub left the music world, and the singer’s adoring fans especially, up in arms after The Weeknd ruled much of the year thanks to his After Hours album and the many highlights that came from it. The Weeknd shared a tweet hours after the nominations were revealed that called the award show “corrupt,” a claim The Recording Academy refuted. A day after The Weeknd’s tweet, Drake and Nicki Minaj took to Instagram to call for changes to occur while showing their support for the singer.

“I think we should stop allowing ourselves to be shocked every year by the disconnect between impactful music and these awards and just accept that what once was the highest form of recognition may no longer matter to the artists that exist now and the ones that come after,” Drake said the post to his Instagram story. “It’s like a relative you keep expecting to fix up but they just can’t change their ways. The other day I said @theweeknd was a lock for either album or song of the year along with countless other reasonable assumptions and it just never goes that way.” He added, “This is a great time for somebody to start something new that we can build up over time and pass on to the generations to come.”

Continuing his message in a second post, Drake mentioned Lil Baby, Pop Smoke, PartyNextDoor, and Popcaan as other names who he felt were wrongfully left off the nomination list for the 2021 Grammys. Nicki Minaj showed her support for The Weeknd by reposting Drake’s first message to her Instagram story. This comes after she re-expressed her frustration with losing the Best New Artist award to Bon Iver back at the 2012 Grammys.

You can check out Drake’s message in the tweet above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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