Music
Erkyah Badu Will Open Up A Phone Line To Celebrate The Anniversary Of ‘But You Caint Use My Phone’
Getty Image The singer made the announcement in a tweet that recalled fans that spoke with her via FaceTime after the 2015 mixtape’s release. …

This Friday will mark five years since Erykah Badu shared her But You Caint Use My Phone mixtape with the world. The project arrived after a five-year hiatus following her 2010 New Amerykah Part Two (Return of the Ankh) album. It was also dropped without the knowledge of her Universal label as she released it straight to iTunes before adding it to other retailers the week after. With the anniversary rapidly approaching, Erykah took to Twitter to celebrate the project and announce the return of the phone line that debuted with But You Caint Use My Phone.
“But You Caint Use My Phone” mix tape Is 5 today. Remember when y’all figured out my # & were FaceTiming me on the trap phone? Well in honor of BYCUMP anniversary and CONTROL FREAQ RECORDS, I’ll be opening up my phone line on Thanksgiving Day… stay tuned.
pic.twitter.com/fxQb5z1YQy
— ErykahBadoula (@fatbellybella) November 25, 2020
The singer made the announcement on Twitter saying, “‘But You Caint Use My Phone’ mix tape Is 5 today. Remember when y’all figured out my # & were FaceTiming me on the trap phone? Well in honor of BYCUMP anniversary and CONTROL FREAQ RECORDS, I’ll be opening up my phone line on Thanksgiving Day… stay tuned.” In addition to But You Caint Use My Phone, Badu also recently celebrated the 20th anniversary of her classic sophomore album, Mama’s Gun, earlier this week.
The announcement comes in what’s been a semi-active year for the legendary singer. Her highlight moment of 2020 came when she joined Jill Scott for a soothing Verzuz battle back in May. She also held a quarantine livestream performance from her bedroom and joined Teyana Taylor, HER, and Brandy for a BET Hip-Hop Award cypher this year as well. On the musical side of things, her only contribution in 2020 came alongside Slingbaum and D’Angelo for their “Behoove” track.
Check out Erykah’s tweet above.
Artist Spotlight
Alias Wayne celebrates the beauty of genuine affection on latest release “Tribute”
Alias Wayne brings the romantic message to the fore with “Tribute,” a song written to celebrate someone whose qualities deserve recognition and appreciation. The whole release is really about love and wanting the world to know how special someone is to you. It’s a simple yet significant idea, especially since the song takes an appreciation-based approach to romance rather than focusing on the thrill of attraction.
As the track progresses, the addition of shakers and hand drum adds yet another layer of rhythmic character, giving the arrangement a lively quality. What I really like is how these elements help the song move forward without detracting from its romantic message.
The lyric direction also keeps affection at the center, expressing admiration for someone’s qualities and a desire to get closer through a personal invitation to share a dance. It gives the song a warm, accessible feel. “Tribute” is a release that celebrates someone special. Alias Wayne blends a message of love with guitar, percussion, and rhythmic movement. It’s a nice treat for fans of romantic songs with a personal touch.
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Artist Spotlight
Séhkou unveils a beautiful connection between faith and intimacy on latest release “Song of Songs 1:3-4 (I Know)”
Romance meets spiritual expression in Séhkou’s new single, “Song of Songs 1:3-4 (I Know),” featuring Angélica Allen. The release provides a fresh take on attraction and intimacy. The song blends hip-hop with soul and R&B influences, celebrating a bond between two people who genuinely choose and cherish each other. Rather than the indecision of chasing after someone who keeps their distance, it’s about mutual affection, desire, and the reassurance of being wanted back.
I particularly appreciate the solemn flute that flows throughout the track. This gives the arrangement an interesting musical character and strengthens the connection between the romantic and spiritual themes. The rap rhythm is also noteworthy, bringing a different feel to the track, while keeping the lyrical focus front and center.
Allen’s spoken-scripture intro and outro provide an important framework for the record, connecting its expressions of intimacy to a sense of reverence. Song of Songs 1:3-4 (I Know) has something meaningful to offer listeners who appreciate music that goes beyond surface attraction to explore love. Séhkou blends hip-hop, soul, R&B, and spiritual expression thoughtfully.
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