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Adam De Lucia’s “Girl” turns jazz crossover into a playful poem to forbidden desire

Adam De Lucia

Adam De Lucia’s new single, “Girl,” is a fun and playful song that explores the concept of attraction in a fresh and engaging way. Unlike many songs that deal with love, especially in unique situations, De Lucia approaches the topic with humor and charm, celebrating his feelings without heavy drama or judgment. While it shares similar themes with classics like “Roxanne” by The Police and “Mama” by Genesis, De Lucia’s take feels much lighter and more relatable.

“Girl” has an upbeat vibe that reminds listeners of The Beatles’ catchy tracks, such as “Twist and Shout” and “Ticket to Ride.” It combines the joy of pop music with elements of jazz, making it an interesting blend of styles. This fusion is something De Lucia doesn’t often explore, making this song a special treat for fans. One standout moment in the song includes a line in French, “gardons le entre nous,” which cleverly nods to Bob Dylan’s classic, “Let’s Keep It Between Us.” It’s little details like this that give “Girl” depth, pairing catchy melodies with clever lyrics and cultural references while keeping the rhythm lively. The recording showcases a fantastic collaboration with several talented musicians.

It features Donny McCaslin on saxophone, along with Michael Ghegan on various instruments, and Henry Hey on keyboards, among others. Together, they create a rich and vibrant sound that stands out. “Girl” highlights Adam De Lucia’s ability to cross genres and moods effortlessly. With its catchy tune, witty lyrics, and impressive musicianship, the song encourages listeners to rethink their ideas about desire and secrecy, all while maintaining a lighthearted and engaging feel. In a music scene filled with predictable themes, “Girl” stands out as a fun, relatable, and captivating piece.

Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

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Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

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