Artist Spotlight
Adin Ross Blindsided by Kanye West’s Controversial Gift, A Swastika Shirt With His Name
Adin Ross is a well known streamer in the hip-hop community, famous for showcasing some of the biggest artists in the genre. He has hosted viral interviews and has helped amplify the work of music giants like Drake, earning a reputation as a connector between artists and their fans. However, things took a shocking turn with Kanye West, and the relationship may be irreparable. In the past, Ross has expressed his admiration for West and even tried to collaborate with him on his stream. Recently, West made a bizarre attempt to reach out to Ross by gifting him a custom t-shirt with a Swastika and Ross’s name. This left Ross, who is Jewish, feeling horrified and betrayed.
The awkward moment unfolded during a FaceTime call that Ross recorded and shared with his followers. What started as a friendly chat quickly turned shocking when West unveiled the offensive t-shirt. Ross was visibly stunned, exclaiming, “What the f*ck?!” as he processed what he had just seen. He paused the video and turned to his audience to express his disbelief. “He has a shirt with a Swastika with my name on it,” he said, clearly disappointed and in shock. His viewers reacted with outrage and support for Ross, flooding the chat with their messages.
Throughout the call, Ross tried to keep his cool and handled the situation carefully. He later explained that some fans might have expected him to confront West more aggressively, but he felt the entire situation was just too absurd. “I know y’all are gonna say I didn’t stand up to him,” he noted, emphasizing that his calm reaction didn’t mean he supported West’s actions. This incident is just another episode in Kanye West’s ongoing controversies, but for Adin Ross, it feels like a personal betrayal.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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