Music

ALEXANDRA has recently released a heartfelt single, “Funny”

Dallas-based artist ALEXANDRA, the indie pop sensation hailing from the heart of Ohio, has struck gold with her latest creation, “Funny,” it’s nothing short of a musical charm. Released on September 29, 2023, “Funny” unveils a delightful blend of genres and creative genius, injecting the heart and soul into a unique auditory experience that stands out in today’s crowded music scene.

“Funny” is an enchanting folk-pop track with a southern influence. It explores the importance of mood and perspective in our daily grind. The song was recorded in a jam-band-style Ft. Worth, Texas, session. It exudes an undeniable light-heartedness and nostalgia, with rich guitar tones and autobiographical lyrics. The melody is reminiscent of Fleetwood Mac, and “Funny” carries a sense of retrospection, wisdom, and warmth that’s familiar, comforting, and invigorating.

Among ALEXANDRA‘s audience in the DFW metroplex, “Funny” has earned a reputation as a go-to palette cleanser. It’s a song that can lift spirits and soothe souls. Her lyrical prowess shines through with melodic lines like “Yesterday felt more dark, today feels light, and ain’t life…..” These words resonate with anyone who’s navigated through the highs and lows of the human experience, making “Funny” an instant connection point for listeners.

ALEXANDRA’s ultimate goal is to create music that fosters a sense of community through her lyrics, and “Funny” accomplishes just that with her natural storytelling ability, making every listener feel like they’ve found a long-lost friend in her music.

This marks ALEXANDRA’s second single release of 2023, following her independent debut release of “I’m Not Good At This Anymore” in March. And she’s not stopping there; with plans for more singles on the horizon leading up to an EP scheduled for later this year, it’s clear that Alexandra is on a creative roll, and fans have much to look forward to.

2023 has already been a whirlwind year for ALEXANDRA. Fresh from her debut performance at SXSW in Austin earlier this year, she opened for Abraham Alexander in Dallas, wowing the audience with her undeniable talent at The Kessler on June 3. Her singles, including “Bad Stuff,” “I’m Not Good At This Anymore,” and now “Funny,” have all received recognition, with airplay on KXT 91.7’s Local Show, earning her a place in regular rotation. “Bonnie & Clyde,” her previous single, even landed her on BMI’s Texas Top Ten playlist.

“Funny” is a standout track that encapsulates lyrical richness and musical brilliance. It’s the kind of song that deserves a special place in the playlist of any music enthusiast. Keep an eye out for this rising star in the music industry. Alexandra is poised for great things, and “Funny” is just beginning her journey to stardom.

For more information about ALEXANDRA, please visit [website].

CLICK HERE TO STREAM ALEXANDRA’s “Funny“ on Spotify.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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