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Alexey Sobolev’s Unleashes “No More,” a Mesmerizing Odyssey of Electronic-Pop Bliss

Alexey Sobolev

Prepare to embark on a sonic adventure as Alexey Sobolev, known by the alias Crazy Owl, unleashes his latest electrifying masterpiece, “No More.” This EDM gem isn’t just a song; it’s an invitation to surrender to the music and let it guide you on a dancefloor odyssey, a testament to Sobolev’s genre-pushing dedication.

Born in the old-school era of 1979 Moscow and currently residing in the vibrant landscape of UAE’s Dubai, Sobolev’s musical journey is as diverse as his travels and photography. “No More” reflects his commitment to sonic innovation, blending fresh, recognizable sounds into a transcendent experience.

The track’s rhythms are intricately woven to produce a captivating groove that urges even the most reserved individuals to dance. “No More” is more than a song that makes people move and feel alive. Sobolev’s commitment to creating significant lyrics is evident in the emotional journey it takes listeners on, while the dynamic basslines keep them rooted to the dance floor.

The seamless fusion of pulsating beats, entrancing melodies, and meticulously crafted soundscapes in “No More” reaffirms Sobolev’s position as an EDM trailblazer. Whether you find yourself at a festival or dancing in your living room, this track promises an invigorating and evocative experience.

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Alexey Sobolev’s “No More” is a mesmerizing electronic pop masterpiece that beckons you to lose yourself in its rhythmic embrace. With its pulsating beats and soulful rhythm, this track will become a staple on dancehall hits playlists. For lovers of Electronic Pop, it’s an absolute must-listen a captivating journey through electronic euphoria.

 

CLICK HERE TO STREAM Alexey Sobolev’s No More on Spotify.

CONNECT WITH Alexey Sobolev | Instagram | Facebook |

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

Connect with Glass Mansions on Spotify || Instagram || Facebook || Youtube || Tiktok || Twitter ||  Soundcloud

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