Music
All The Best New Music From This Week That You Need To Hear
Getty Image Nicki Minaj, Mike Will Made-It, The Weeknd, Miley Cyrus, Nav, and St. Vincent all made some of the best new music of the week. …
Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.
This week saw Nicki Minaj re-team with a beloved collaborator and The Weeknd hop on an international remix. Yeah, it was a great week for new music. Check out the highlights below.
Mike Will Made-It — “What That Speed Bout?!” Feat. Nicki Minaj and Youngboy Never Broke Again
Fresh off the announcement that he signed with Atlantic and has a new album, Michael, on the way next year, Mike Will Made-It kicked off his new label relationship with “What That Speed Bout?!.” Mike got Nicki Minaj on the track (along with Youngboy Never Broke Again), and Mike and Minaj have a history of hitting when they collab, which is true here as well.
Maluma — “Hawái (Remix)” Feat. The Weeknd
Maluma’s “Hawái” was a Latin hit this summer, but now he has given it new life for fall by recruiting The Weeknd for a remix. Further more, it’s also the first time Weeknd fans get the chance to hear him sing in Spanish.
2 Chainz — “Quarantine Thick” Feat. Mulatto
Lifestyles around the world have become more sedentary thanks to the pandemic, and 2 Chainz and Mulatto find beauty in that on their new collaboration, “Quarantine Thick.” 2 Chainz celebrates the excess pounds of the lady in his life, saying on the chorus, “She been quarantine, now lil’ shawty thick / She been quarantine, now lil’ shawty hips wider.”
Nav and Wheezy — Emergency Tsunami
Nav has been a consistent force over the past few years, dropping at least a project annually since 2017. He already released his third album, Good Intentions, back in May, but now he has returned (with Wheezy) in tow for a new mixtape, Emergency Tsunami.
24kGoldn — “Mood (Remix)” Feat. Justin Bieber and J Balvin
It’s been a huge year for both 24kGoldn and Justin Bieber, as each artist has spent time at No. 1 thanks to collaborations. Now they have come together (along with another regular chart presence, J Balvin) to continue the legacy of 24kGoldn’s first chart-topper, “Mood.”
Miley Cyrus — “Edge Of Midnight” Feat. Stevie Nicks
Miley Cyrus’ “Midnight Sky” borrows from Stevie Nicks’ “Edge Of Seventeen,” which Cyrus has been forthcoming about. Now, those two worlds have truly mended on a clever new remix titled “Edge Of Midnight,” which blends elements of both songs in a natural-sounding way.
Benee — “Happen To Me”
Benee’s latest references her mental health journey, which she recently told Uproxx is a theme on her upcoming album: “I think with this album, I haven’t really held back on experimenting with genres and even lyrics. Maybe I would have been more hesitant to do some of the things that I’ve done on this album in my previous bodies of work.”
Darkside — Psychic Live July 17 2017
PSYCHIC LIVE JULY 17 2014 by DARKSIDE
For a quick spell a few years back, Nicolás Jaar and Dave Harrington teamed up as Darkside, and given the pair’s talent, their sole album together was beloved. Now, they have taken a trod down memory lane by unearthing a previously unheard live set and sharing it as a new EP.
Swae Lee, Tyga, and Lil Mosey — “Krabby Step”
The SpongeBob SquarePants franchise has a more impressive musical history than some may realize, and now a trio of modern favorites have joined the storied universe with “Krabby Step.” The track (from Swae Lee, Tyga, and Lil Mosey) comes from the upcoming film The SpongeBob Movie: Sponge On The Run, and it transforms some of the show’s classic music and moments into a genuine banger.
St. Vincent — “Piggy”
Nine Inch Nails just got inducted into the Rock And Roll Hall Of Fame, and to celebrate, St. Vincent decided to cover “Piggy.” Calling the track one of her NIN favorites, Annie Clark said of it, “When I took this song apart to cover it, it took me a long time to really understand the immensity of the groove. It’s a dark, industrial reggae. Muscular, but never as distorted as you imagined it when you think of it in your head. […] They made a complicated thing seem easy and made big, bold sonic choices.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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