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Amber Rose Says Kanye West Has Bullied Her For 10 Years: “Leave Me Alone”
There was a time in Hip Hop history when Amber Rose and Kanye West were a power couple. The pair jet-setted around the world and showed up on red carpets displaying their cringeworthy affections, but like many other famous couples, their romance fizzled out. Back in 2015, Kanye sat down with The Breakfast Club and took a jab at his ex, claiming that he had to take “30 showers” after breaking up with her. Amber Rose revisited that comment during her recent interview with No Jumper.

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“Let me ask you a question: you’re famous for 10 years. You date a whole bunch of girls. Everyone has nice things to say about you but one person that obviously has a problem with everybody has something negative to say about you. You can do the math at that point. It’s just, I don’t know.” Adam22 told Rose that at the time, Kanye’s comment came across as “slut-shaming.”
Amber said that’s a clear sign of narcissism. “You spend years with someone, you take them around the world, you buy them all the jewelry. You shout out to the world how much you love them and how much fun you have with this person and then the person decides that this isn’t what they want their life to be. I opted out. I don’t want my life to be like that. I’m not that type of person.”
She added that Kanye may make some remarks “to make his wife more comfortable,” but the “30 showers” line was a low blow. “You took me around the world. Since when do you need 30 showers? I can see if it was a one-night thing and you want to slut-shame me. Okay.” She also added that for 10 years, West has “bullied” her.
“He just called me a prostitute at his rally,” Rose said. “He called me a prostitute. Ten years later. Just leave me alone. I don’t talk about you. Obviously, it comes up in interviews ’cause it’s a big part of why I’m famous so I try to give good interviews and not shying away from that, but at the same time it’s like, bro. Just leave me alone.” Check out Amber on No Jumper below.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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