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ANTHONY JOHN SISSIAN unveils a midnight confession in six strings on E-motion (Pt. 2) Because Everyone Is Us Is Love

ANTHONY JOHN SISSIAN

Anthony John Sissian is back with “E-motion (Pt. 2) Because All of Us Is Us Is Love.” This song sounds less like a performance and more like a quiet confession shared in the stillness of early morning. The track is very simple, with only acoustic R&B elements that let every note and lyric breathe. There isn’t too much going on here, the voice and guitar are both important and work well together.

The song’s main idea is its mantra: “because all of us is us is love.” Sissian uses repetition to meditate. It’s simple, almost too simple. The phrase gets more and more meaningful each time you read it, going from something personal to something that applies to everyone. It’s a reminder of what connection really is, simple, open, and very human.

The restraint has a quiet strength. The track doesn’t build up to a big climax; instead, it stays grounded and trusts its honesty to carry the weight. It feels like truth spoken softly, but with unwavering conviction. “E-motion (Pt.2)” doesn’t ask for your attention; it pulls you in. And once you’re there, it holds you gently and gives you a rare kind of stillness that you need and feel deeply.

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Artist Spotlight

Gus Ormo finds a gentle balance of sound on latest release “Claroscuro (APAPE)”

Gus Ormo

Gus Ormo‘s latest release, “Claroscuro (APAPE),” is an instrumental piece built from a carefully selected set of sounds. Clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs make up the track. The vocal element is absent from the foreground; the instruments themselves establish the piece’s character.

The arrangement shows the contrast of its different textures. Bass and piano provide the grounding, with trumpet and flutes supplying the melodic color. Congas, drums, and shakers provide percussion, while the acoustic and lead guitars enrich the instrumental palette. These elements are incorporated into the song’s somber mood, but it remains mostly soft and emotion-driven.

What appeals to “Claroscuro (APAPE)” is its dedication to an instrumental expression that is soft on the heart. It’s not the words that convey the mood; it’s the instruments. Gus Ormo combines strings of rhythm, melody, and texture to produce a piece that sounds deliberately restrained, and each section contributes to the overall musical picture.

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Gus Ormo brings warmth and tenderness on latest release “Latidos”

Gus Ormo

Gus Ormo’s latest release, “Latidos,” is an instrumental, so it must rely on its musicianship to carry the emotional weight. Instead of a vocal to guide the listener, the arrangement features clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs. The combination is a well-layered musical setting, with a somber character and a soft approach to the heart.

The piano and guitars add important touches to the arrangement, the trumpet and flutes add more color. Percussion, congas, drums, and clean shakers add movement but don’t detract from the gentle nature of the track. The bass anchors the song, while the lead and acoustic guitars provide an additional layer to the instrumental mix.

What sets “Latidos” apart is the quiet emotional intent. Instead of singing of its feeling, the piece creates a solemn and tender atmosphere with its collection of instruments. Still, Gus Ormo’s method stresses the connection between the instruments. It is an instrumental piece that should touch the heart with softness and not in excess.

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