Album Review
Artificial Incline unveils its emotionally charged new album premiere, “Used to Be”

The premiere of Artificial Incline’s latest album, “Used to Be,” enriches the musical landscape of Strathmore, Canada. This four-track masterpiece explores the complexities of romantic relationships, emotional resilience, and self-identity, offering a cathartic listening experience that transcends genre boundaries. The album showcases sophisticated lyrical craftsmanship while adhering to classic pop sensibilities, marking a significant evolution in Artificial Incline’s journey as an artist and songwriter.
Thematically, “Used to Be” draws inspiration from personal experiences of relationship discord, delving into topics such as infidelity, betrayal, emotional volatility, and verbal conflicts, all while seeking healing. Artificial Incline utilizes music to process trauma and achieve transformative catharsis. Reflecting on their artistic growth, they emphasize that “good things take time,” a sentiment echoed throughout the album’s dynamic and evocative tracks.
Opening with “King Without a Crown,” which explores existential loneliness alongside the quest for self-actualization. This classic pop anthem highlights the tension of navigating a life or ambition where recognition remains elusive. It captures the haunting reality of feeling lost while striving for greatness, embodying the paradox of “living the nightmare as a king without a crown.” Through enchanting vocal performances, Artificial Incline vividly conveys both regret and aspiration.
The title track, “Used to Be,” follows and provides a passionate, candid portrayal of yearning for clarity within failing relationships. Its stirring melodies and melancholic undertones reflect on past emotional frameworks, advocating for compassion and understanding during difficult times. This piece encourages listeners to embrace resilience and acknowledge the intricate fragility of love, resonating with those who have experienced the turmoil of fading connections.
“Far Away“ marks a significant shift toward introspection, featuring a soulful arrangement that radiates vulnerability. This track weaves a poetic and sonically rich tapestry, guiding listeners through a landscape of self-awareness and emotional clarity. Its evocative delivery pays heartfelt tribute to the insights gained from breaches of trust, offering solace to those who have found clarity on life’s unpredictable adventure.
Closing the album is “Ink and Color,” an elegantly crafted piece that leaves a lasting impression. This track seamlessly blends haunting rhythms with poignant storytelling about faded memories, combining catchy beats and expressive piano chords. The poetic lyricism and deep emotional resonance of “Ink and Color” reflect on the shadows of superficial love and attraction, ultimately shaping our identities.
Throughout “Used to Be,” each composition demonstrates meticulous melodic brilliance, with Artificial Incline showcasing its artistry through intricate beats, lush arrangements, and unmistakable authenticity. As they continue establishing their presence in the contemporary music scene, this album reinforces their emergence as a formidable musical force. “Used to Be” is valuable to the artist’s evolving discography, appealing to audiophiles and fans of innovative, genre-defying narratives. The emotionally resonant themes woven throughout these tracks engage a diverse global audience, marking this release as an essential listening experience not to be overlooked.
CLICK HERE TO STREAM Artificial Incline’s Album “Used to Be“ on Spotify.
CONNECT WITH Artificial Incline | Instagram |
Album Review
The Vlade unveils a mesmerizing indie pop-rock revelation in his recent album, “Bring Me To The Light”

Emerging from Vancouver, Canada, the dynamic indie pop-rock sensation known as The Vlade has officially launched his latest musical endeavor, “Bring Me to the Light.” This impressive ten-track album constitutes a significant artistic achievement that transcends conventional musical boundaries, exploring themes such as love, illumination, and the diverse spectrum of human emotions. The Vlade’s distinctive style incorporates nuanced storytelling and exceptional lyricism, showcasing his remarkable talent for crafting immersive auditory experiences further enhanced by his soaring vocal performances and intricate instrumental soundscapes that evoke hope, vulnerability, and melancholy.
At the core of “Bring Me to the Light” lies the eponymous title track, an impactful pop-rock anthem that effectively lays the thematic foundation for an unforgettable introduction. This track sets the tone for the album’s dynamic exploration of euphoric melodies combined with introspective lyrics that encourage the struggle to be illuminated by the adventure of love, which permeates the work. Notably, this track has garnered significant resonance among audiences in Ukraine, highlighting its extensive emotional appeal.
Following this energetic introduction, “I Do Not Want to Lie“ presents a soulful yet melancholic perspective that delicately examines life’s imperfections, uniting reflective lyricism with an authentic sonic aesthetic. Conversely, “Train to Delhi” evokes an enchanting tribute to classic soul-pop with jazz sensibilities, seamlessly merging the artist’s soulful journey through Delhi with a thought-provoking rhythmic narrative highlighting his artistic versatility.
In “I Do Not Want Your Love,” The Vlade articulates a complex ambivalence toward romantic commitment, utilizing emotive guitar motifs interwoven with a rhythmic bass line and piano harmonies to create an engaging soundscape. Conversely, “It Is Not the End” embodies a sense of optimism, generating a dreamlike ambiance through its catchy beats and entrancing organ strums. Thus, it imparts an uplifting sense of discovery that propels the album’s momentum.
Adding further depth to the compilation, “The Owls” (Bulgarian lyrics) encapsulates a smooth sophistication, exploring nostalgia in unexpected contexts through its flowing melody and tingling sound. Tracks such as “Brand New Day,” “Into Eternity,” and “The Lizard King“ contribute to the album’s hauntingly poetic sonic experience, each revealing distinct aspects of The Vlade’s artistic brilliance.
The album concludes on a poignant note with “When/Life” (Bulgarian lyrics), which leaves a lasting impression characterized by trembling vibrato and a deeply heartfelt interpretation. Every composition within “Bring Me to the Light” exhibits notable melodic and harmonic craftsmanship, guiding listeners through a deeply personal yet universally relatable narrative.
With meticulous attention to detail and a fervent commitment to artistic production, The Vlade’s unique songwriting trajectory solidifies his reputation as an indispensable voice and transformative force within the indie music landscape. His ability to create immersive auditory experiences fosters a profound connection with listeners, rendering this album an essential addition to any playlist for individuals seeking music that resonates at a deeper emotional level. As “Bring Me to the Light” continues to gain acclaim, it further highlights The Vlade’s dedication to pioneering innovative and boundary-defying music.
For more information about The Vlade, please visit [website].
CLICK HERE TO STREAM The Vlade’s Album “Bring Me To The Light“ on Spotify.
CONNECT WITH The Vlade | Instagram |
Album Review
Eddie Cohn stirs a poetic reckoning of emotional emancipation to bid farewell with “Wheels Stop”

Eddie Cohn, a distinguished musician based in Los Angeles, has significantly evolved in his artistic trajectory and stylistic versatility. His latest single, “Wheels Stop,” emphasizes his penchant for profound introspection. This track, a prominent feature on his forthcoming six-track EP, examines themes of confusion, unraveling the intrigues of toxic relationships and the fears of being lost in thoughts while seeking to recover one’s mental sanity. It transcends a mere cathartic expression, embodying a dynamic and unapologetically assertive progression toward creative autonomy.
From the outset, “Wheels Stop” is marked by a palpable intensity, driven by a brooding undercurrent that underlies Cohn’s formidable vocal execution. His voice strikes a nuanced interplay of weariness and optimism, expertly encapsulating the sensation of standing at the brink of a bittersweet transformative experience. The lyrics demonstrate a precise mastery of poetic conciseness, with each line meticulously crafted to augment a rhythmic underpinning that aligns with the gradual revelation of more profound insights.
Musically, “Wheels Stop” navigates a richly contrasting soundscape, merging grunge, 80s rock, and contemporary indie influences. Jake Reed’s precise drumming provides a robust anchor, while Dan Lutz’s resonant bass maintains a hypnotic pulse throughout the piece. These core components effectively reflect the emotional turbulence central to pursuing liberation. Brett Farkas’s guitar work, augmented by Phil Peterson’s intricate layering of instrumentation, introduces an atmospheric depth, culminating in a multidimensional sonic experience. The production methodology, juxtaposing traditional studio techniques with innovative remote collaborations, underscores the creative possibilities inherent in contemporary music production.
Kevin Penner’s proficient mixing and mastering enhance the track’s polished finish, preserving its emotional integrity while avoiding any descent into overproduction. “Wheels Stop” crystallizes a moment of clarity interwoven with melodic richness, marking a significant milestone in Cohn’s artistic development. This track provides an enriching auditory experience for discerning listeners who value music imbued with compelling complexity.
For more information about Eddie Cohn, please visit [website].
CLICK HERE TO STREAM Eddie Cohn’s “Wheels Stop“ on Spotify.
CONNECT WITH Eddie Cohn | Instagram | Twitter | Facebook |
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