Artist Spotlight

Azu Yeché stirs a soulful serenity with his new single, “Leave Me Now”

British–Nigerian artist AZU YECHÉ demonstrates exceptional songwriting and musical talent in his latest single, “Leave Me Now.” This profoundly introspective song masterfully delivers a soul-stirring anthem for anyone who has encountered the heartache of a strained romantic relationship. It was entirely self-written and performed on the guitar, encapsulating the perspective of an individual grappling with a partner’s uncertain commitment.

Yeché’s decision to record his vocals in just one or two takes adds an authentic layer of vulnerability while amplifying the raw emotion of the moment. His collaboration with Jim Lawton in the studio has resulted in a subtle and warm production, allowing the song’s soulful core to shine through. Yeché’s musical style represents a captivating blend of soul, gospel, and African influences reminiscent of artists like Michael Kiwanuka, Lianne La Havas, Jordan Mackampa, and Leon Bridges. The slow-paced percussion and serene acoustic strings establish a contemplative ambiance, harmonizing flawlessly with Yeché’s commanding yet relaxed vocal performance.

Lyrically, “Leave Me Now” lays bare a heartfelt plea for genuine love, underscored by Yeché’s emotive delivery. The repeated lines, “If your lovin’ is ruled by someone else, leave me now, oh leave me now, if your lovin’ ain’t as strong as mine, leave me now, oh leave me now,” poignantly express the desperation and resignation of someone choosing to ultimately embrace the painful decision of separation rather than endure a half-hearted affection. His intimate and unguarded approach will enable the audience to deeply sense every pang of honesty expressed through the song.

“Leave Me Now” represents a significant addition to any music collection and is a must-listen for enthusiasts of captivating soul music. Yeché, known for his two-part EP, Soul Afrikanah (part one and part two), which delved into his dual identity using folk and soul genres, showcases yet another dimension of his diverse artistry with this single. This further cements his prominent status in the realm of contemporary soul music.

For more information about AZU YECHÉ, please visit [website].
CLICK HERE TO STREAM AZU YECHÉ’s “Leave Me Now“ on Spotify.
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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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