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Bad Bunny Appropriately Enlists Booker T For His Combative ‘Booker T’ Video

I mean, you can’t call the song ‘Booker T’ and not put the wrestler himself in the video right? …

Bad Bunny had by far one of the most productive 2020 years in comparison to his peers in the music world. The Puerto Rico-born singer kicked off his 2020 with his Yo Hago Lo Que Me Da La Gana album, which was the highest-charting Spanish album ever at the time of its release and Spotify’s most globally-streamed album of 2020. He also shared two additional projects last year with Las Que No Iban a Salir and El Último Tour Del Mundo. The latter project, which he released at the end of November, became the first all-Spanish-language album to debut at No. 1 on the Billboard album charts. Now, Bad Bunny continues its promotion with a new video for “Booker T” with none other than Booker T himself.

The video brings the two names together as they post up inside a storage unit of a trailer as they’re driven … somewhere. Booker T stands authoritatively in the middle of the unit as Bad Bunny bounces around it and poses beside the wrestler who appears to be his bodyguard for the visual. Booker T previously spoke about the collaboration on his Hall Of Fame podcast.

“From somewhere across the water, he’s watching Booker T and he’s digging what I’m doing, it lets me know I did something right as far as going out there from a performance perspective,” he said. “I always wondered when somebody was going to come out with a song about Booker T, because I knew I was badass, but this is kind of the stamp of approval.”

Booker T is not the first celebrity Bad Bunny has enlisted in a video for an El Último Tour Del Mundo track. He previously called on Snoop Dogg for his “Hoy Cobré” video.

You can watch the “Booker T” video above.

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El Último Tour Del Mundo is out now via Rimas. Get it here.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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