Album Review
“Big Colored Lights” EP Premier by Katie Curley delivers a sonic snow globe of heartfelt holiday memories

Brooklyn-based singer-songwriter Katie Curley brings a fresh glow to the holiday season with her new EP, “Big Colored Lights.” This spellbinding collection comprises seven original tracks that seamlessly integrate Curley’s honky-tonk personal sensibilities with sophisticated sonic artistry, characterized by her gift for evocative storytelling. Recorded at Cowboy Technical Services under the skillful production expertise of Eric “Roscoe” Ambel (known for his work with Sarah Borges and the Bottle Rockets), the EP is a testament to Curley’s decade-long commitment to creating one Christmas-inspired song yearly. The resultant work offers a kaleidoscope of nostalgia, resilience, and the transformative power of music that extends beyond conventional holiday cheer.
“Big Colored Lights” invites listeners on an emotional odyssey, commencing with the poignant opener, “Christmastime Therapy,” which artfully navigates the bittersweet realities of family gatherings complemented by Curley’s crystalline vocals. The expressive piano work accompaniment by Rob Clores sets the stage for a heartfelt meditation on holiday complexities.
Subsequently, the soulful track “Closing In On December“ follows, featuring Mark Spencer’s pedal steel, which infuses the song with a timeless warmth. Meanwhile, the title track, “Big Colored Lights,” paints a vivid tribute to Curley’s childhood memories of her grandfather’s dazzling holiday decorations in the woods of Washington.
Curley’s versatility is evident in “A Very Texas Christmas,” a modern take on classic holiday melodies that blends emotive guitar strumming with rhythmic piano chords. “Extra Happy Holidays“ delivers a buoyant exploration of new relationships, celebrating the optimism intrinsic to joyful festivities.
Infusing a touch of country flair, “Shotgun Wedding In Bethlehem“ reimagines the nativity narrative, enhanced by the gorgeous angelic harmonies from fellow artists Drina Seay and Shanelle Jenkins. The EP closes on a high note with “New Year’s Too,” a soul-stirring duet with powerhouse vocalist Lizzie Edwards that profoundly impacts the listener.
Katie Curley’s “Big Colored Lights” transcends the limitations of typical holiday tunes, offering deep reflections on shifting landscapes, cherished traditions, and the unyielding pursuit of light in life’s darker moments. Supported by her core band, including her husband Brendan Curley on guitar, Max Newland on bass, and Kenny Soule on drums, the EP resonates with authenticity and warmth. This EP is essential listening for those seeking revelatory holiday charm with meaningful and uplifting music that promises to light up the heart and soul. Set to become a treasured addition to festive playlists, “Big Colored Lights” solidifies Katie Curley’s emerging status as an enchanting voice within Brooklyn’s music scene.
For more information about Katie Curley, please visit [website].
CLICK HERE TO STREAM Katie Curley’s EP “Big Colored Lights“ on Spotify.
CONNECT WITH Katie Curley | Instagram | Facebook |
Album Review
Artificial Incline unveils its emotionally charged new album premiere, “Used to Be”

The premiere of Artificial Incline’s latest album, “Used to Be,” enriches the musical landscape of Strathmore, Canada. This four-track masterpiece explores the complexities of romantic relationships, emotional resilience, and self-identity, offering a cathartic listening experience that transcends genre boundaries. The album showcases sophisticated lyrical craftsmanship while adhering to classic pop sensibilities, marking a significant evolution in Artificial Incline’s journey as an artist and songwriter.
Thematically, “Used to Be” draws inspiration from personal experiences of relationship discord, delving into topics such as infidelity, betrayal, emotional volatility, and verbal conflicts, all while seeking healing. Artificial Incline utilizes music to process trauma and achieve transformative catharsis. Reflecting on their artistic growth, they emphasize that “good things take time,” a sentiment echoed throughout the album’s dynamic and evocative tracks.
Opening with “King Without a Crown,” which explores existential loneliness alongside the quest for self-actualization. This classic pop anthem highlights the tension of navigating a life or ambition where recognition remains elusive. It captures the haunting reality of feeling lost while striving for greatness, embodying the paradox of “living the nightmare as a king without a crown.” Through enchanting vocal performances, Artificial Incline vividly conveys both regret and aspiration.
The title track, “Used to Be,” follows and provides a passionate, candid portrayal of yearning for clarity within failing relationships. Its stirring melodies and melancholic undertones reflect on past emotional frameworks, advocating for compassion and understanding during difficult times. This piece encourages listeners to embrace resilience and acknowledge the intricate fragility of love, resonating with those who have experienced the turmoil of fading connections.
“Far Away“ marks a significant shift toward introspection, featuring a soulful arrangement that radiates vulnerability. This track weaves a poetic and sonically rich tapestry, guiding listeners through a landscape of self-awareness and emotional clarity. Its evocative delivery pays heartfelt tribute to the insights gained from breaches of trust, offering solace to those who have found clarity on life’s unpredictable adventure.
Closing the album is “Ink and Color,” an elegantly crafted piece that leaves a lasting impression. This track seamlessly blends haunting rhythms with poignant storytelling about faded memories, combining catchy beats and expressive piano chords. The poetic lyricism and deep emotional resonance of “Ink and Color” reflect on the shadows of superficial love and attraction, ultimately shaping our identities.
Throughout “Used to Be,” each composition demonstrates meticulous melodic brilliance, with Artificial Incline showcasing its artistry through intricate beats, lush arrangements, and unmistakable authenticity. As they continue establishing their presence in the contemporary music scene, this album reinforces their emergence as a formidable musical force. “Used to Be” is valuable to the artist’s evolving discography, appealing to audiophiles and fans of innovative, genre-defying narratives. The emotionally resonant themes woven throughout these tracks engage a diverse global audience, marking this release as an essential listening experience not to be overlooked.
CLICK HERE TO STREAM Artificial Incline’s Album “Used to Be“ on Spotify.
CONNECT WITH Artificial Incline | Instagram |
Album Review
The Vlade unveils a mesmerizing indie pop-rock revelation in his recent album, “Bring Me To The Light”

Emerging from Vancouver, Canada, the dynamic indie pop-rock sensation known as The Vlade has officially launched his latest musical endeavor, “Bring Me to the Light.” This impressive ten-track album constitutes a significant artistic achievement that transcends conventional musical boundaries, exploring themes such as love, illumination, and the diverse spectrum of human emotions. The Vlade’s distinctive style incorporates nuanced storytelling and exceptional lyricism, showcasing his remarkable talent for crafting immersive auditory experiences further enhanced by his soaring vocal performances and intricate instrumental soundscapes that evoke hope, vulnerability, and melancholy.
At the core of “Bring Me to the Light” lies the eponymous title track, an impactful pop-rock anthem that effectively lays the thematic foundation for an unforgettable introduction. This track sets the tone for the album’s dynamic exploration of euphoric melodies combined with introspective lyrics that encourage the struggle to be illuminated by the adventure of love, which permeates the work. Notably, this track has garnered significant resonance among audiences in Ukraine, highlighting its extensive emotional appeal.
Following this energetic introduction, “I Do Not Want to Lie“ presents a soulful yet melancholic perspective that delicately examines life’s imperfections, uniting reflective lyricism with an authentic sonic aesthetic. Conversely, “Train to Delhi” evokes an enchanting tribute to classic soul-pop with jazz sensibilities, seamlessly merging the artist’s soulful journey through Delhi with a thought-provoking rhythmic narrative highlighting his artistic versatility.
In “I Do Not Want Your Love,” The Vlade articulates a complex ambivalence toward romantic commitment, utilizing emotive guitar motifs interwoven with a rhythmic bass line and piano harmonies to create an engaging soundscape. Conversely, “It Is Not the End” embodies a sense of optimism, generating a dreamlike ambiance through its catchy beats and entrancing organ strums. Thus, it imparts an uplifting sense of discovery that propels the album’s momentum.
Adding further depth to the compilation, “The Owls” (Bulgarian lyrics) encapsulates a smooth sophistication, exploring nostalgia in unexpected contexts through its flowing melody and tingling sound. Tracks such as “Brand New Day,” “Into Eternity,” and “The Lizard King“ contribute to the album’s hauntingly poetic sonic experience, each revealing distinct aspects of The Vlade’s artistic brilliance.
The album concludes on a poignant note with “When/Life” (Bulgarian lyrics), which leaves a lasting impression characterized by trembling vibrato and a deeply heartfelt interpretation. Every composition within “Bring Me to the Light” exhibits notable melodic and harmonic craftsmanship, guiding listeners through a deeply personal yet universally relatable narrative.
With meticulous attention to detail and a fervent commitment to artistic production, The Vlade’s unique songwriting trajectory solidifies his reputation as an indispensable voice and transformative force within the indie music landscape. His ability to create immersive auditory experiences fosters a profound connection with listeners, rendering this album an essential addition to any playlist for individuals seeking music that resonates at a deeper emotional level. As “Bring Me to the Light” continues to gain acclaim, it further highlights The Vlade’s dedication to pioneering innovative and boundary-defying music.
For more information about The Vlade, please visit [website].
CLICK HERE TO STREAM The Vlade’s Album “Bring Me To The Light“ on Spotify.
CONNECT WITH The Vlade | Instagram |
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