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Black Thought Unloads A Piercing Performance Of ‘State Prisoner’ On ‘A Colors Show’

The performance comes almost a month after The Roots rapper delivered his ‘Streams of Thought, Vol. 3: Cane & Abel.’ …

After delaying the project for a little under three months, Black Thought finally shared his Streams of Thought, Vol. 3: Cane & Abel effort in the middle of October. The project arrived as a 13-track effort with guest appearances from Pusha T, Killer Mike, Swizz Beatz, Schoolboy Q, and more. Nearly a month after Black Thought shared the effort, the rapper brought “State Prisoner” to the popular performance series, A Colors Show.

Black Thought delivered his performance of “State Prisoner” with a vibrant blue backdrop that laid behind him. Standing tall with the mic in front of him, the Philly-based rapper dropped off the piercing lyrics over the raucous production and effortlessly weaved his rhyme schemes and metaphors together for the A Colors Show set.

The performance on the popular online series came a couple of weeks after he stopped by The Tonight Show Starring Jimmy Fallon to play a pair of tracks from the Streams of Thought, Vol. 3. Getting help from The Last Artful, Dodgr, and Portugal. The Man, Black Thought gave a powerful medley of his “Quiet Trip” and “Nature Of The Beast” tracks. He also delivered a cozy NPR Tiny Desk performance from the comfort of his home office earlier this year.

On a more recent note, Black Thought joined Common for his “Say Peace” single, one that the Chicago native used to announce his A Beautiful Revolution Pt 1 album.

You can watch his performance in the video above.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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