Music
Bobby Sessions Comes Through With An Urgent Rendition Of ‘All We Got’ For ‘UPROXX Sessions’
This week, ‘UPROXX Sessions’ meets burgeoning Dallas rap star Bobby Sessions. …
This week, UPROXX Sessions meets burgeoning Dallas rap star Bobby Sessions in a performance that puts his stamp on the show and justifies their naming coincidence. The political-minded Sessions’ RVLTN projects clearly classify him as a sharp writer but when he steps into the Uproxx Studios Sessions stage, he proves that his live renditions have the same dynamism and charisma. Performing “All We Got” from his recently-released RVLTN (Chapter 3): The Price of Freedom, Bobby makes his presence known and sets a high bar for next week’s guest.
In a previous interview with Uproxx, Bobby presciently highlighted a problem from this year mirrored in the lyrics of “All We Got.” “You have to look at the damage being done by members of your community,” he said. “There are people of color that get in positions of power and get in positions of influence where they can educate their viewers or audience about what is going on in their community, but they decide for their personal financial gain to dismiss all of those issues in their own community and act like they do not exist so that they can appease their white superiors.” In “All We Got,” Bobby reiterates that sentiment, pointing out, “Got love for Kanye, but no time to divide the vote.”
Watch Bobby’s performance above and check out his new album here.
UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too..
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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