Music

Brother and The Hayes tune into soulful memories with new single “Radio Waves”

Texas sibling duo Brother and The Hayes strike a gorgeous balance between intimacy and reflective longing on their new single “Radio Waves.” With David Bingaman on guitar and Jennie Hayes Kurtz providing casually soulful vocals, this track buzzes with the sort of warmth that simultaneously feels intimate and classic, like finding a love letter that’s been stashed in a vinyl sleeve. A brother-sister act from Dallas, the siblings were marinated in a stew of musical idioms, from gospel-laced choirs to blues standards.

The diversity of that foundation shines through in “Radio Waves,” where David’s guitar work pays polite homage to the Texas blues legends he holds dear, Stevie Ray Vaughan and Lightnin’ Hopkins, while Jennie Hayes’ voice soars with the clarity and control of one who cut her teeth in choirs but didn’t shed the spirit of real feeling in the process. “Radio Waves” is a love song and a time capsule, evoking the magic of turning on a late-night station and hearing a song that hits you like a fist. There’s a sweet ache woven into the melody, an evocation of the unsaid connections and memories that music evokes unbidden. The production is minimal. Every note, every breath, feels intentional, feels organic, feels human. This is storytelling of the gentlest kind. The lyrics tend to stick to the simple and let the emotional texture do the heavy lifting.

For Brother and The Hayes, less is more, and in the emptiness is where listeners are encouraged to feel deeply, reflect, and remember. “Radio Waves” is simply too down to earth for that. It shoots for the heart, offering a song that is homey, that is, memory, the sound of something that has always been playing softly in the background of our lives. Brother and The Hayes are choosing to make their own with tunes that are steeped in family, feeling, and simply undeniable craft. “Radio Waves” shows they are transmitting something special.

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Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

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