Music
Brother and The Hayes tune into soulful memories with new single “Radio Waves”
Texas sibling duo Brother and The Hayes strike a gorgeous balance between intimacy and reflective longing on their new single “Radio Waves.” With David Bingaman on guitar and Jennie Hayes Kurtz providing casually soulful vocals, this track buzzes with the sort of warmth that simultaneously feels intimate and classic, like finding a love letter that’s been stashed in a vinyl sleeve. A brother-sister act from Dallas, the siblings were marinated in a stew of musical idioms, from gospel-laced choirs to blues standards.
The diversity of that foundation shines through in “Radio Waves,” where David’s guitar work pays polite homage to the Texas blues legends he holds dear, Stevie Ray Vaughan and Lightnin’ Hopkins, while Jennie Hayes’ voice soars with the clarity and control of one who cut her teeth in choirs but didn’t shed the spirit of real feeling in the process. “Radio Waves” is a love song and a time capsule, evoking the magic of turning on a late-night station and hearing a song that hits you like a fist. There’s a sweet ache woven into the melody, an evocation of the unsaid connections and memories that music evokes unbidden. The production is minimal. Every note, every breath, feels intentional, feels organic, feels human. This is storytelling of the gentlest kind. The lyrics tend to stick to the simple and let the emotional texture do the heavy lifting.
For Brother and The Hayes, less is more, and in the emptiness is where listeners are encouraged to feel deeply, reflect, and remember. “Radio Waves” is simply too down to earth for that. It shoots for the heart, offering a song that is homey, that is, memory, the sound of something that has always been playing softly in the background of our lives. Brother and The Hayes are choosing to make their own with tunes that are steeped in family, feeling, and simply undeniable craft. “Radio Waves” shows they are transmitting something special.
Artist Spotlight
“We Keep Walking” by Foxy Leopard explores the quiet forces that lead us toward history
There is something unsettling about being on a journey that does not end when the destination is not assured. That tug is at the heart of Foxy Leopard’s cinematic alt-country sound on “We Keep Walking.” What looks like a simple step forward becomes a meditation on history, community, and the choices people make before they know the consequences.
The concept album Foxy Leopard released earlier tells the story of the last months before the American Civil War through the lives of common people, and the song is a turning point that takes a different turn from a typical historical song. It’s not zooming in on the war itself but on the unseen momentum building around normal families and communities.
Foxy Leopard dishes up alt-country with a cinematic edge, and “We Keep Walking” seems to be a particularly potent example of that style. This song has a forward motion that fits its theme, a driving pulse, and darker implications all the more apparent.
The vocal and production approach serves the storytelling, and there’s a control beneath the energy that makes the track’s space feel reflective, uneasy, and quietly dramatic. Foxy Leopard demonstrates how alt-country can be employed for cinematic storytelling without sacrificing its human scale. If you’re a fan of atmospheric alt-country, storytelling songwriting, and songs that find personal meaning in grand historical moments, there’s a lot to discover on “We Keep Walking.”
Artist Spotlight
Lana Crow unveils a fun getaway for summer freedom on latest release “Japrisot”
Lana Crow‘s latest release, “Japrisot” is a song that feels carved from sunshine, open roads, and the call of the sea. Lana Crow’s sunny summer feel here is a perfect fit. The song takes inspiration from The Lady in a Car with Glasses and a Gun, and while it has a playfully dramatic touch, its energy is squarely aimed at adventure. Right away, the attitude is set in the lyrics, “I stole your car, I bet you weren’t prepared for this. I am driving off. To the sea, to the joy you can never know. It’s cheeky, it’s bold, it’s just right for the song’s freewheeling summer vibe.
“Japrisot” musically has the feel of a classic pop tune, with a bass line that serves as an especially enjoyable foundation for the guitar. Lana’s vocal texture is another appealing element, her breath control and warmth are cool, giving the song a playful drama without overwhelming its breeziness.
Lana Crow keeps the track moving with lyrics about speed, excitement, and the rush of taking control, the feeling of movement goes on. I’m driving fast, the rush of hitting the gas, it feels so hot, it makes me feel like a badass, this is what I call freedom. The song doesn’t just talk about a sunny day, it gives the heat, the road, and the sea something bigger, something that’s part of an escape.
Connect with Lana Crow on Spotify || Instagram || Facebook || Youtube
-
Artist Spotlight4 days agoMichael Soul transforms destructive love into hypnotic dark pop on “DAYNIGHT”
-
Artist Spotlight4 days agoCaptain Iron / Windrift Band turn betrayal into a sea-shanty story on “Burned to Tears”
-
Artist Spotlight3 days agoROSANNE BAKER THORNLEY adds guitars, bass, and emotional warmth to “Falling”
-
Album Review3 days agoCognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
-
Artist Spotlight3 days agoFrançois Marius & Bérénice celebrates Jamaican style and rhythm on “Jah Provide”
-
Artist Spotlight4 days agoCaptain Iron / Windrift Band brings a full-throttle pirate celebration with latest release “Yo’ Ahoy!”
-
Artist Spotlight3 days agoHope Easton strikes a remarkable balance of strings and song on “Timeline”
-
Artist Spotlight3 days agoShawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

