Music
Cardi B Calls Out Wiz Khalifa For Pitting Her Against Nicki Minaj In A Shady Grammys Tweet
Getty Image While some fans keep pushing for beef, Cardi just wants support from the men in rap, too. …
Ever since her song “Bodak Yellow” blew up in 2017, Cardi B has seen herself pitted against fellow rap superstar Nicki Minaj by fans and media eager for drama and intolerant of two women simply coexisting. Despite their very different rap styles, the two have been compared and debated ever since it became clear that Cardi was able to take advantage of opportunities Nicki never could — mainly because Nicki had to create those opportunities and didn’t pull the ladder up behind her.
But fans still can’t resist taking every chance to disparage one in favor of the other and both seem pretty much over it. However, when one fan received a celebrity cosign from one of their male peers, Cardi wasn’t about to let his transgression slide. The fan, who seemed miffed about the recently announced 2021 Grammy nominations, replied to Wiz Khalifa’s observation on the nominations and when Wiz quote-tweeted the reply with a cryptic comment of his own, Cardi was quick to pull receipts to show how quickly people in the industry can switch up.
“As a grammy nominated artist, I know how it feels,” Wiz wrote. “N****s always think its unfair until they get their turn. Just keep workin and that time’ll come through.” However, one fan’s response was much less gracious. “Cardi wining a Grammy when nicki minaj didn’t is the biggest proof that they don’t know a shit bout music,” the fan replied. Naturally, the terms “Nicki” and “Barb” both appeared in the fan’s handle.
As a grammy nominated artist I know how it feels. Niggas always think its unfair until they get their turn. Just keep workin and that time'll come through.
— Wiz Khalifa (@wizkhalifa) November 24, 2020
I felt like I got throughly robbed for See You Again. Haven't been bacc since, but when tha time comes ima have a joint rolled and dope ass speech ready. And it's Taylor Gang Or Die
— Wiz Khalifa (@wizkhalifa) November 24, 2020
When Wiz responded “Most self-made artists have this problem,” Cardi caught wind and interpreted the tweet as shade. While Wiz likely didn’t mean to shade Cardi, the implication that she was “an industry plant” has dogged her for her entire career, so it makes sense she’d infer this meaning, especially considering the wording of the quoted tweet. She questioned, “I don’t understand why n****s entertain tweets that pit successful women against each other? Ya not tired of that? Specially when ya was rooting hard when a bitch was at the bottom.” She then also posted a screenshot of Wiz sending encouragement to her through her Instagram DM back in 2016.
Most self made artists have this problem https://t.co/IfM8NV58rM
— Wiz Khalifa (@wizkhalifa) November 24, 2020
This was Nikkas in my dms in 2016!They really support you when you grinding at the bottom then it’s a different story when you make it ! pic.twitter.com/AhRr3TTkRC
— iamcardib (@iamcardib) November 24, 2020
I don’t understand why niggas entertain tweets that pit successful women against each other? Ya not tired of that? Specially when ya was rooting hard when a bitch was at the bottom.
— iamcardib (@iamcardib) November 24, 2020
Cardi has a point. Even if Wiz wasn’t actively trying to shade Cardi, he did amplify yet another tweet stoking a sexist feud between the two women and some fans could have interpreted it as validating the argument as well. While Wiz’s larger point — that the Grammys are largely a political exercise and that the artists who are most visible at Academy functions are the ones they’ll recognize come Award season — is right, there were far better ways to make the point. And in any case, Nicki’s hard work made it possible for Cardi to flourish at the awards. Both women have acknowledged that Nicki opened doors that were previously closed to female rappers. Rather than pushing for them to bicker and fight, we’d all be better served looking forward to their rumored collaborative reunion.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
CONNECT WITH Sadie Brown | Instagram |
Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
CONNECT WITH Tom Minor | Facebook |
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