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Cardi B & Offset Weigh In On Birkin Debate After Spending $128K On Bags

It’s crazy that, after a restful weekend, the internet is still debating about Hermès Birkin Bags…

The debate began after Saweetie and Quavo delivered a public service announcement, telling women to dump their men if they weren’t copping them Birkin bags. The comments were not received well. Birkins, which usually go for over $15,000, are not very affordable. For some, that’s money that should be going toward investments, a down payment for a house, a retirement fund, and more. Those that can afford the luxurious purse should buy it, by all means, but to imply that a man isn’t worth your time if he’s not copping one? Eh…

The two most recent people to get involved in the all-important argument are Cardi B and Offset. Both being well-versed in all things Birkin, like Yaya Mayweather who chimed in over the weekend, Offset got his wallet out and spent over $100K on new bags for his wife. They both went online and told people to stop pocket-watching, speaking about the significance of the Birkin.

“Stop letting people on the internet tell ya’ll who can get a Birkin at the store, and how many Birkin’s you can get,” wrote Offset on Instagram. The picture he shared shows them both with their haul of the day, showing off the four new bags. “Black people having access to luxury shouldn’t be a debate…by the way hip hop starts the trends,” he continued.

Cardi B ran off on what he was saying, recording a three-minute video where she speaks to those who say that women in rap are depreciating the value of the purse. She explains that the people speaking about her and her Birkin bags don’t keep that same energy with white celebrities.

Her message was a response to a viral tweet, showing her, Saweetie, and other women in rap, arguing that they are lessening the value of a Birkin.

“First things first, I definitely could get a bag– actually I got four bags today from the Hermès store. That’s one. I don’t wanna brag but it’s like, don’t even try it,” says Cardi. “Second of all, why is it that y’all asking female rappers if they can get a bag from the Hermès store. Y’all don’t do that to these white celebrities. So, why is it that y’all gotta be asking us? What the f*ck?”

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So I had this convo with my team about this topic after seeing this viral tweet …what do you guys think ? Watch till the end
A post shared by Cardi B (@iamcardib) on Oct 25, 2020 at 8:13pm PDT

Where do you stand on the Birkin debate of 2020?

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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