Artist Spotlight
Carl Jones Reveals How A DJ Vlad Sketch Helped Seal His Fate On The Boondocks
The Boondocks wasn’t just any animated show, it became a huge cultural phenomenon. Known for its sharp humor, fearless social commentary, and innovative storytelling, it captured the attention of many. However, behind the scenes, there were some tensions that eventually led to the departure of one of its key producers, Carl Jones. In a recent podcast, he spoke about how a sketch involving DJ Vlad contributed to these challenges. Jones, who worked on the first three seasons of The Boondocks alongside its creator, Aaron McGruder, shared some fascinating insights. Fans may remember the famous episode featuring Usher, which was inspired by Jones’ real life stories.
However, few people knew that a simple animation of DJ Vlad played a significant role in the growing strain between Jones and McGruder. Jones had created an animated portrayal of DJ Vlad and even shared it with him. What seemed like a small creative project was a major tipping point. McGruder wasn’t necessarily upset about the sketch itself but more about what it signified. At that time, Jones was exploring other projects, including an animated series based on Black Dynamite. This shift made McGruder feel like he was losing his collaborator, leading to frustration and a gradual breakdown in their working relationship.
“It kind of unraveled from there,” Jones reflected, noting that the situation with DJ Vlad was more a final straw than the direct cause of their issues. It’s surprising how one small sketch could contribute to a significant change in a creative partnership. Even though it’s tough to hear about behind the scenes struggles of shows we love, Jones’ departure didn’t stop him from making important contributions to animation. The Boondocks remains a legendary series recognized for its audacious and culturally impactful storytelling.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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