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Carole Baskin Comes Out As Bisexual, Bashes “Deviant” Joe Exotic
Despite the global backlash from her appearance in Tiger King: Murder, Mayhem and Madness, Carole Baskin has been making the most of her newfound celebrity. Her recent stint on Dancing With The Stars was shortlived, but Baskin and her “cool cats and kittens” have continued to rescue animals while also capitalizing off of her infamy. The public has learned much more about Baskin as the Netflix star has attemptd to distance herself from the husband-killing accusations that plague her, an in an interview with Pink News, she spoke openly about her sexuality.
“I have always considered myself to be bisexual. Even though I’ve never had a wife, I could just as easily have a wife as a husband,” Carole Baskin, who has been married to a man for 16 years, told the publication. “I was always very male-oriented in the things I did … I never had any mothering instincts or anything, you know, I never played with dolls. And so I always thought that there was something off there, that I couldn’t quite put my finger on.”
“But it was during the ’80s that I discovered that through dealing with the LGBT+ community that I [realized] I had just as equal feelings for women as I did for men,” Baskin added. “As far as the way I feel about us, I think we are all one and I just don’t see us as being different genders or different colors or anything.”
Baskin’s incarcerated Tiger King nemisis Joe Exotic is openly gay, and when asked about how she believes he represents the LGBTQIA+ community, she said, “I think he’s an embarrassment to the human community. It’s not a matter of what your sexuality is, this man is just a deviant in the way that he treats human life and animal life.”
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
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