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Artist Spotlight

Clint Is Good New Track Released – Dans le Love

CLINT-IS-GOOD is a true musician. From his real name Alexandre Prayez, he is a Franco-Cameroonian rapper from Noisy-le-Sec. He has been playing the guitar since a young age.

Added to this, He had classical training at the Conservatory of Noisy-le-Sec, which allows it to distinguish itself from its fellow rappers, thanks to a very pronounced, and certain requirement in terms of composition.

Rocked by music from an early age, Clint Is Good first follows classical training before switching to rap and then grime. Demanding, his musicality and his attraction to instruments such as the guitar allow him to develop a singular musical universe. The heterogeneous legacy resonates with his 1st EP “French Grime” released in 2019. Les Fleurs du Mâle June 2021, this opus of Afro, Electro, Rap touches reveal its versatility and sensitivity.

CLINT-IS-GOOD is curious about music: he likes the way it resonates, the intensity that provides each instrument. He can spend days with a composer to find the note just that allows transmitting the energy of a piece. “Emotion must sprinkle the piece from the first to the last note of the Composition”.

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In 2011 the click occurs: they set up the group Astronomic Tribe, which makes it possible to tour Ile-de-France scenes. From scene to scene, they develop ease of freestyle and improvisation. Clint then founded Nouvelle Espèce with Soul-J, Rastafarap and Devildeyz.

Clint Is Good works best on African music, Afrobeat, Blues, Bossa nova, Brazilian Music, Chill hip-hop, Classical music, Dancehall / Reggaeton, Deep house, Disco, Electropop, Film music, French house, Funk, Grime, Hard rock, Heavy metal, Hip-hop, House music, Latin music, Nouvelle scene, Pop soul, Rap in English, French rap, R&B, Reggae, Soul, Trap, Urban pop Curious, Offset, Eclectic, Energetic, Good vibes, Groovy, and Positive.

Available on Spotify, On stage experience, International potential, Strong social media presence, Unsigned artist, and Young talents.

 

Instagram: https://www.instagram.com/itsclintisgood/

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Spotify: https://open.spotify.com/artist/3eo01OdZ6kuYhZ9nKnQ65x

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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