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Cop Who Killed Breonna Taylor Sets Up Fundraiser For His Retirement

A GiveSendGo page has been set up by the family of police officer Myles Cosgrove, who fired the lethal shot that ended Breonna Taylor’s life in March. On the page, Cosgrove’s family explains that due to public outrage over Taylor’s death and the lack of charges brought against the officers involved, Cosgrove will never be able to safely work again and thus will need financial support from the public to be able to leave his job and focus on caring for his family.

“It has recently become clear that it will be impossible for Myles to safely return to his position serving the community with the Louisville Metro Police Department. We hope to raise enough funds to help him purchase the remainder of his service time, or ‘air-time,’ so that he can retire from the LMPD and continue to focus on the safety of his family, a family that has been put continually at-risk over the past few months,” reads the fundraiser story.

While some are outraged at the mere idea of Cosgrove asking the public to fund his retirement, others have already begun emptying their pockets. As of the writing of this article, the fundraiser has raised over $36,000, nearly halfway to its $75,000 goal.

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Last week, a grand jury charged only one of the officers involved, Brett Hankison, on three wanton endangerment charges for the bullets he misfired into Taylor’s neighbor’s apartment. No homicide charges were laid for any of the three officers involved in the shooting. Hankison was fired, however Mattingly and Cosgrove remain on paid administrative reassignment while they await the verdicts of an internal police investigation and an FBI investigation. Cosgrove’s wife revealed in a post last week that the incident has changed their lives for the worse, stating that they’ve had to remain in hiding for four months, traumatized, and combating ceaseless threats from strangers every day.

If this fundraiser was to reach its goal, it would allow for Cosgrove to leave his job without having to worry about his family’s financial well-being.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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