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Cordae Adds Another Guest Feature To His 2020 List On DJ Scheme’s ‘Soda’ With Ski Mask The Slump God

The track joins Cordae’s previous guest appearances on tracks by Dinner Party and Stevie Wonder as well as his lone lead single, ‘Gifted.’ …

For about a year after the release of his debut album, The Lost Boy, Cordae stayed quiet in terms of music releases. The rapper’s debut was an impeccable effort that landed him two Grammy nominations and helped push him to the forefront of rap’s youngest and most promising acts, so a break was understandable. Luckily for fans, the break ended this past summer and the DMV rapper has kept fans satisfied with singles and guest features. Adding another one to the latter list, Cordae pulls up beside DJ Scheme, Ski Mask The Slump God, and Take A Daytrip for their new single, “Soda.”

If the track title is familiar to fans it’s because the song was premiered on Travis Scott and Chase B’s ‘.Wav Radio‘ show back in July. After quite the wait, the song is here for fans to enjoy. Cordae leads the way with a verse filled with braggadocios remarks on reaching success in the rap game as well as enjoying all the benefits that come with fame. Ski Mask follows suit with his trademark double-time flow that also finds him in his boastful bag.

Prior to “Soda,” Cordae connected with Dinner Party — a group comprised of 9th Wonder, Kamasi Washington, Robert Glasper, and Terrace Martin — for their “Freeze Tag” track which later received the visual treatment. He also joined Stevie Wonder, Rapsody, Chika, and Busta Rhymes for their “Can’t Put It In The Hands Of Fate” single. However, it hasn’t only been guest appearances for Cordae this year. He also called on Roddy Ricch for “Gifted,” his first lead single of 2020, and months later, he delivered a powerful freestyle to open this year’s BET Hip-Hop Awards.

You can listen to “Soda” in the video above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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