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Dave Chappelle Talks Social Justice Leaders: “Malcolm X Died Penniless”
Whether he likes it or not, millions of Dave Chappelle fans look to him for guidance. The longtime entertainer has often used his voice to bring a bit of comedy to serious issues that plague American culture, and during his chat with David Letterman on Netflix’s My Next Guest Needs No Introduction, Chappelle tackles why he doesn’t step forward as a social justice leader.

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“There’s somebody who they would look to for moral or intellectual guidance,” Chappelle said. “There’s no pension plan for leaders. Martin Luther King died penniless. Malcolm X died penniless. I don’t want to do that.” Letterman said, even so, he’s still waiting on cultural commentary from Chappelle.
“I said it behind what others were already doing and the commentary after it was very heady and intellectual and I was shocked that nobody ever talked about what it feels like to watch a man get murdered that way by a man in a police uniform,” Chappelle said of George Floyd. Letterman then shares the story of the late civil rights activist and politician John Lewis who was beaten to near-death by an officer many decades ago, and how the experience led Lewis to dedicate his life to fighting for equity and equality. He compared that moment in history to the death of Floyd.
“What a tragic footnote to a tragic culture. This is a lot to unpack,” said Chappelle. “Nights like this are important. Just talking about it. We’re countrymen, all of us. We live in America. It’s weird now, because this game of ‘who suffered more,’ everyone keeps getting the ball. They act like everyone’s suffering is mutually exclusive from everyone else’s, and you and I both know that this is far from the case.”
Check out a clip from Chappelle’s appearance on My Next Guest Needs No Introduction below and make sure to stream the series beginning tomorrow (October 21).
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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