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Deaf Radio brings grit, movement and feeling with latest Album release “SHELTER”

Deaf Radio

Deaf Radio‘s latest album release, “SHELTER,” is an eight tracks album, driven by guitars, rhythm and a definite hunger for movement, with each song adding layers to the band’s sound. “SHELTER” opens with “Transmitter,” quickly setting a mood that revolves around ghostly synths, piano progressions and celestial vocals.

The lyric “Chasing a dream that makes no sense” adds another layer to the mysterious intro of the track, before the album heads in a faster, more urgent direction with “Idling.” The second track is powered by nice fast drums, bass, gritty guitar and synths, the chant “We’re never going to get away” providing a strong chorus moment. The band really comes into their own at 3:43 and you realize how much movement and groove they can bring into a track.

The title track “Shelter” goes another route, beginning quietly with bass and ambient sound, then the drums kick in. At 0:42 the whole band kicks in with action, professionalism and steadiness, giving the song a powerful lift around the lyric “Lay on my hands as the walls begin to fall”. Next is “Levitate,” with drums and picked bass guitar, creating the playful line “Celebrate all the small wins dancing near the crowded place.”

Then there’s the fifth track “All My Friends,” and the lyric “All my friends are busy with their own lives” into “oh how it feels to be looking through the glass.” A personal favorite, especially for it’s melody, acoustic and lead guitars and well handled drums. The album concludes with “Big Mistake,” “Tides” and “No Place Like Home,” with “Tides” leaving the biggest final impression. The guitar grit and rock attitude carries the listener along, repeating the energy Deaf Radio have carried throughout “SHELTER.”

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Artist Spotlight

Big Jon celebrates growth and self-belief on latest release “Level Up”

Big Jon

Big Jon’s latest release, “Level Up” is all about confidence, competition, celebration, and the drive to keep pushing forward. The song is about an artist with a winner’s mindset who sees every obstacle as another chance to prove himself. “Big Jon believes that when the going gets tough, the tough get going, and keep getting up.

Big Jon is proud of his wins and celebrates with his brothers across the track, imagining himself at the center of attention with playful confidence. He loves the larger-than-life character he has created, talking about his mansion, his success and the confidence that makes his opponents think twice before stepping up. The upshot is a striking portrait of a man enjoying his moment while making it clear he expects bigger things to come.

“Level Up” is a progress report from an artist who knows he’s only just begun. Big Jon is proud of his progress, but he’s quick to emphasize he’s just getting started. The song is a tribute to the mindset of someone ready to take on whatever comes next and keep moving forward with playful confidence, a tongue-in-cheek attitude, and a determined outlook.

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Artist Spotlight

BuYufu turns the symptoms of love into a soul-filled dance with “Side Effects May Include”

Yufu

In “Side Effects May Include,” BuYufu has made the irrational symptoms of hopelessly falling in love playful and highly musical. Love’s a hell of a drug, and it has some weird side effects. Missed calls, dancing on the spot, and acting completely out of character. It’s a simple idea, but the track really brings it to life.

It’s written as a song for a 70s soul club performance, influenced by crossover soul, northern soul, Afro-Cuban soul, and Latin soul. Horns, strings, shuffle guitar, Latin percussion, Hammond organ, and an active drum break surround the song’s central feeling. The arrangement keeps the song feeling lively, but the vintage influence is very clear.

“Side Effects May Include,” has subtle callbacks for those who have been following the project. This connection gives the song a sense of finality. It’s warm, raw, and deliberately human in its subject matter, capturing the odd thrill of love while showing how an old-school soul feeling can still speak naturally to the present.

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