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Diddy Once Mistook Jeff Tweedy For A Grammys Usher And Demanded His Programs

‘He tapped the programs that I was holding with a cane. He’s like, ‘Give me one of those.” …

Wilco leader Jeff Tweedy has proven to be a delightful late-night talk show guest in recent years, whether he’s promoting Wilco material or his own solo work. He popped up again last night on Late Night With Seth Meyers, where he told the story of the time Diddy mistook him for an usher at the Grammys.

Tweedy told the story through laughter from himself, Meyers, and some off-camera Late Night staff. Meyers said the tale took place at the first Grammys ceremony Tweedy attended with Wilco, which would have been the 41st Annual Grammys in 1999, where Mermaid Avenue was nominated for Best Contemporary Folk Album. Tweedy was standing outside the bathroom holding a stack of programs belonging to his Wilco bandmates and their guests when Diddy approached him. Tweedy said, “P. Diddy walked up to me and he thought I was an usher handing out programs. He tapped the programs that I was holding with a cane. He’s like, ‘Give me one of those.’ I’m like, ‘No, they’re mine.’ It didn’t escalate, thank goodness.”

Speaking of the Grammys, the Recording Academy is set to announce the list of 2021 nominees this morning, so keep an eye on Uproxx to find out who is up for what awards.

Tweedy also performed “Gwendolyn” on the show, so check that out below and watch Tweedy chat with Meyers above.

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Artist Spotlight

Dan Holcomb creates a journey of letting go with “Sail Away”

Dan-Holcomb

Dan Holcomb’s new single, “Sails Away,” takes listeners on a very deep journey. The track builds slowly, deliberately, and with emotional clarity, then captures how life’s burdens accumulate and how powerful it is to let them go. His unique mix of Southern rock, Americana, and pop-rock makes it what it is.

“Sails Away” starts with just an acoustic guitar, which makes it feel like you’re in a private space right away. As the song goes on, more and more parts come in, like soft harmonies, and finally a full band arrangement that makes the song feel big and almost spiritual. It feels like a release at the end, like letting go of your breath after holding it for too long.

Pete Vogl and Shawn Grove produced, which fits the song’s emotional arc perfectly. Each part of the music is carefully placed, so it never feels forced. Tessa Joy’s background vocals give the song warmth and depth, and the group of experienced session musicians, Gerry Hansen on drums, Michael Steele on bass, Michael Doke on electric guitar, and Lee Davis on keys, adds richness and texture.

The main idea of “Sails Away” is that it takes a lot of guts to let go of the things that weigh you down, whether they are emotional, personal, or something else. Holcomb’s delivery feels real and lived-in because it is grounded in what he knows and has been through.

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Artist Spotlight

Chenzo V shares a story of self-disconnection on “Mechanical Boy”

Chenzo V

Chenzo V’s latest release, “Mechanical Boy,” is a bold, genre-defying statement about what happens when you stop being yourself. The track talks about how survival can, over time, become something that doesn’t look like a real human experience, a mechanical response to the world. It does this by looking at the conflict between feeling and control.

“Mechanical Boy” is a great mix of alternative rock, electronic rock, and synth-pop. The track sounds like a blend of Muse’s atmospheric intensity and Radiohead’s introspective edge. It has a sound that feels both big and small, mixing soaring guitars with textured electronic sounds.

“Mechanical Boy” is a story about becoming aware of yourself and regaining your emotions. The mix of guitar-driven energy and electronic sounds shows the fight between instinct and control. The singer tells the story clearly and powerfully. “Mechanical Boy” is a powerful song that makes you think about how much of yourself you’ve kept in a world that values conformity over feeling.

Connect with Chenzo V on Spotify || Instagram || Soundcloud ||Youtube

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