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Diddy Once Mistook Jeff Tweedy For A Grammys Usher And Demanded His Programs

‘He tapped the programs that I was holding with a cane. He’s like, ‘Give me one of those.” …

Wilco leader Jeff Tweedy has proven to be a delightful late-night talk show guest in recent years, whether he’s promoting Wilco material or his own solo work. He popped up again last night on Late Night With Seth Meyers, where he told the story of the time Diddy mistook him for an usher at the Grammys.

Tweedy told the story through laughter from himself, Meyers, and some off-camera Late Night staff. Meyers said the tale took place at the first Grammys ceremony Tweedy attended with Wilco, which would have been the 41st Annual Grammys in 1999, where Mermaid Avenue was nominated for Best Contemporary Folk Album. Tweedy was standing outside the bathroom holding a stack of programs belonging to his Wilco bandmates and their guests when Diddy approached him. Tweedy said, “P. Diddy walked up to me and he thought I was an usher handing out programs. He tapped the programs that I was holding with a cane. He’s like, ‘Give me one of those.’ I’m like, ‘No, they’re mine.’ It didn’t escalate, thank goodness.”

Speaking of the Grammys, the Recording Academy is set to announce the list of 2021 nominees this morning, so keep an eye on Uproxx to find out who is up for what awards.

Tweedy also performed “Gwendolyn” on the show, so check that out below and watch Tweedy chat with Meyers above.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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