Music
Doja Cat Throws Shade Directly At Tekashi 69 On Ariana Grande’s New ’34+35′ Remix
Getty Image Tekashi called for Doja to be cancelled in 2020. …


When Ariana Grande teased two mystery guests who would join her on a remix of “34+35,” fans came up with plenty of theories and were partially right. While the guess of Nicki Minaj turned out to be inaccurate, they were correct about Doja Cat, who appears on the track alongside Grande and Megan Thee Stallion. Those weren’t the only three names on the song, though, as Doja managed to sneak a Tekashi 69 diss into her verse.
Doja kicks off her contribution to the track, “Can we stay up all night? F*ck a jet lag / You bring your fine ass and overnight bag / Add up the numbers or get behind that / Play and rewind that, listen, you’ll find that / I want that six-nine without Tekashi / And I want your body and I make it obvious.”
Doja and Tekashi have had a bit of beef in the past. After some controversial old Doja lyrics generated controversy towards the start of 2020, Tekashi called for her to be cancelled. In the comments of an Instagram post, Tekashi wrote, “She started with the wrong one… give me till tomorrow #canceldoja.” He wrote elsewhere, “Someone called her Doja Dog.” Doja didn’t respond at the time, but now she got her dig in.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Music
Laf0822 Heats Up the Summer with His Explosive New Strip Club Anthem, “Nasty Bitch”

If you’ve been on the lookout for the next song to set summer nights AND strip club stages on fire, then look no further than Laf0822’s new release, “Nasty Bitch.” It’s clear from the first beat: This track is for the shy or the faint of heart. It’s raucous, wild, and tailor-made for cranking the heat to punishing levels.
Coming in at just the right tempo to make hips shake and bottles pop, “Nasty Bitch” slinks in on a bass heavy beat tailor made for fluorescent lights and late nights and endless dollar bills. Laf0822 serves the track with confidence, and its infectious nature gives it that raw energy that a summer anthem requires if it ever aspires to completely take over the clubs, parties, and car speakers. Laf0822 is anything but forced and is honest and raunchy, if I may say so, in all the right ways. There’s an effortless charisma to how he rides the beat, putting everything he has into the song’s no-holds-barred demeanor. It’s an ode to wild nights and shameless self-expression.
Beyond being nothing more than a strippers’ anthem, “Nasty Bitch” encapsulates a spirit of abandon that is essentially the heart of summer, no rules, no apologies, just having a good time and fun vibes. Laf0822 pokes at that sentiment with laser-like precision, offering a custom-made soundtrack for everything from girls’ nights out to packed, sweaty dance floors. “Nasty Bitch,” which arrives today, feels like Laf0822 is hammering his flag into the ground this summer, declaring that he’s here to dominate as an artist who knows how to make you move and doesn’t mind getting a little dirty in the process. This is a moment waiting to happen, and it’s about to be all over the place.
Music
N3WYRKLA Spills Raw Emotion with “Plastic Cup”

On her debut single “Plastic Cup”, N3WYRKLA is planting a marker in the ground. As the lead single to her upcoming debut LP, “Plastic Cup” is the equivalent of peeking into a diary nobody was supposed to read. It’s intimate but not frail, confident but not blaring. N3WYRKLA’s weaves between a sound that’s atmospheric and direct, pulling listeners into her world without pause.
From the opening chords, “Plastic Cup” holds a nearly cinematic mood, a quiet moment before the big change. Her vocals hover between vulnerability and strength, and she delivers lyrics that feel authentic in a way that’s difficult to fake. It is the sound of someone wrestling with growing pains, the quest for an identity, and the bittersweet ache of memories that linger long after they should.
It’s where-asphalt rubberiness generates that plip-plop beat that sounds alive and fleshy, the way a lousy plastic solo cup can feel like meaningless junk or pure nostalgia, depending on what your drink is while held. N3WYRKLA seems to encase that tension and turn it into an unexpected image metaphor that lingers long after it ends.
What’s most evident at first blush is that “Plastic Cup” is not about the numbers. It’s rooted in emotion first, structure second, a welcome change in a music landscape that’s all too focused on perfection over authenticity. The production is subtle but immersive, which leaves N3WYRKLA’s voice room to sound truly close, like she’s sitting beside you telling a story meant for your ears and no one else’s.
If “Plastic Cup” indicates what’s to come, N3WYRKLA’s debut LP will be an extremely personal, soul-baring voyage. What she’s not doing is slotting herself into our current musical climate, creating her lane, and inviting people to ride shotgun from the get-go.
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