Music
Dr. Dre Gives Larry Smith His Flowers, Names Him His Greatest Hip-Hop Producer
Dr. Dre could have just put his own name down when asked to name the greatest hip-hop producer of all time, but the legendary beatsmith had someone else in mind. On the first episode of “Listen & Laugh,” the new podcast hosted by Ice Cube and Mike Epps, Dre singled out producer Larry Smith as one of the most impressive producers he met in his formative years. His answer was an admission that he feels is hugely underrated in shaping the sound of early hip-hop.
The first guest on the podcast was Dre, and the two talked about a lot: his career, what he’s learned in the music industry, what he’s doing now, and his controversial use of artificial intelligence in music. Ice Cube asked Dre to think about which producers influenced him most. Who was your favorite producer of all time? Dre answered
“It was difficult to pick one name instead of just pulling somebody right off,” he said. He excepted Quincy Jones, then called Larry Smith as the producer who especially inspired him. Dre clearly loved Smith as he detailed what made him so special, mentioning the music he created for artists who shaped his view of hip-hop.
“Larry Smith don’t get his flowers,” said Dre, before adding his own caveat. He called Smith the greatest producer in hip-hop history and listed several artists whose music he produced, including Whodini, Run-DMC, the Fat Boys, LL Cool J and Kurtis Blow. And those records were among the sounds that inspired him and his peers when they were young, Dre said.
This was noteworthy because Dre himself is behind some of hip-hop’s most influential production. Rather than use the question to celebrate his own legacy, he turned it into a chance to point to someone whose contribution he thinks hasn’t been sufficiently recognized. His comments also touched on how the music of his youth still informs his thinking on production.
That’s the kind of influence Smith’s work with Dre’s artists can have, beyond any one record. His production work with Whodini, Run-DMC, the Fat Boys, LL Cool J, and Kurtis Blow put his sound in the sonic universe that inspired Dre as he forged his own path in record-making.
Dre’s response also gives the listeners a peek into the influences that shape his musical outlook. Producers are often defined by their most famous records or the artists they helped shape, but Dre’s remarks focused on the personal impact of Smith’s work and the inspiration it gave to a younger generation.
Dre’s emphatic naming of Smith turned a familiar debate of the greatest producer into a chance to acknowledge an influence he feels has been overlooked. The choice might surprise listeners who expected him to name himself. Still, the motive was simple. Larry Smith helped create music that inspired him, and Dre feels that legacy deserves far greater recognition.
Artist Spotlight
JESTR puts success, money and good energy at the centre on latest release “PRIME TIME”
JESTR‘s latest release, “PRIME TIME,” delivers a bold sense of ambition, a track built on confidence, financial targets, and a determination to enjoy the rewards of personal success. From the jump, the song’s catchy rap flows introduce a personality that is about making moves, not getting distracted from the bigger picture.
The lyrical direction adds to the confident nature of the track especially with the ambition to make a hundred thousand in a month and the desire to enjoy the lifestyle that comes with financial progress. Mentions of ice around the neck, stacking paper and being too busy vibing with the star all add to the celebratory mood of the song.
“PRIME TIME” is about believing in your moment and refusing to apologise for wanting more out of life. JESTR delivers a release that is clearly focused on ambition, money and positive energy, making this one for listeners who appreciate confident hip-hop with a celebratory outlook.
Connect with JESTR on Spotify
Artist Spotlight
Jonathan AKA J Dub unveils an unexpected gothic twist on latest release “Needle in the Hay”
Jonathan AKA J Dub‘s latest release, “Needle in the Hay,” puts a well-known acoustic composition in a radically different musical direction. This interpretation makes the song a more dramatic rock version and gives it a darker, more theatrical feel rather than preserving the intimacy of the original arrangement.
One of the most unique creative choices is the combination of spooky goth harpsichord and Daft Punk-esque vocoder vocals, which give the cover an off-kilter sonic identity that immediately distinguishes it from a straightforward reinterpretation.
These things point to a group that is not just recreating the original acoustic approach, but one that is willing to take creative risks. Jonathan AKA J Dub’s “Needle in the Hay” is an ambitious reimagining, tackling familiar material from a different emotional and musical angle.
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