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Dr. Umar Johnson’s Family Feud Intensifies in Explosive Livestream Rant

HonkMagazine

Dr. Umar Johnson, who labels himself the “Prince of Pan-Africanism,” is currently in the middle of a family dispute involving the mother of his second child, referred to as “Miss Vegan.” In a passionate livestream, he accused her of keeping their child away from him despite continuing to provide financial support. His frustration was clear as he issued an ultimatum. “Miss Vegan, you have two weeks to bring my child to me. You’ve been keeping them from me while I’m paying child support. Just like with the mother of my first child, it’s the same situation again,” he stated, comparing his previous legal battles.

This conflict seems to be part of a troubling pattern for Johnson, who finds himself fighting for the right to see his child while also being accused of neglect. His troubles are compounded by a public conflict with his alleged daughter, Anisa, who has spoken out about her grievances. Recently, she made serious accusations against Johnson, claiming he physically harmed her mother, which sparked a lot of discussion online. “He hurt her! What is wrong with him? He should be in jail!” Anisa expressed passionately in a livestream, clarifying her claims and stirring further debate about Johnson’s responsibilities. Instead of backing down, Johnson responded in his typical bold fashion.

He dismissed Anisa’s accusations on Instagram, suggesting she was trying to gain attention by linking herself to him. “Are you trying to use my name to get followers? Acting like you’ve been searching for me all this time,” he wrote. He also challenged her, saying he would only talk to her if her mother, whom he jokingly called “Mama Smurf,” was there with her. “I’ll bring the necessary documents. When can we have this meeting? I’ve been paying child support since you were born. Who’s the real deadbeat here?” The ongoing conflict between Johnson and his family has caught the attention of both supporters and critics. Some view him as a father facing unfair challenges, while others argue that his actions don’t align with how he presents himself publicly.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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