Music

Drela and Stonebwoy declare war on the ordinary with new soundtrack “DEM DEAD”

When Drela says “DEM DEAD,” he means it both metaphorically and musically and does not apologize. The ascendant Nigerian firebrand makes a forceful impression with his latest single, “DEM DEAD,” a spirited song that slaps with intent. And you think he’s done, and in comes the Ghanaian own Grammy nominee Juggernaut, Stonebwoy, riding the beat like the vet hitmaker he purports. This is not your typical Afrobeats record. “DEM DEAD” parades through the intersection of where Afrobeats meets Dancehall, its raw urgency throbbing street and celebration at once.

Drela’s delivery is aggressive, his bars are compact, and his rhythm is drenched in the kind of hunger that only comes from a rising star. There’s an edge to his voice, a fire that reflects the runaway energy of his country’s youth, and a sound as at home in Lagos as it might be in Kingston. And then there’s Stonebwoy coming in, increasing the track’s global weight. Commanding and charismatic, his verse, which bridges cultures with the unmistakable flair of the Caribbean. He locks in, underscoring the point with gravitas only a BET Award winner can provide. It’s a sort of collaboration that doesn’t just cross borders but blends them.

The beat itself is a rhythmic, percussive playground, infectious, with melodies that hit just as hard as the lyrics. It’s a merciless foundation that dares you not to jerk around and the competition to try and match. “DEM DEAD” is a warning shot, a celebration of standing fast, and a cultural handshake between two of the strongest musical worlds. Here, Drela shows himself not just as a new voice but as a necessary one. With Stonebwoy in his corner, however, this record not only makes noise but a statement. Wherever you’re vibing in Accra, Lagos, or anywhere in between, when “DEM DEAD” hits, it’s lights out for the faint of heart.

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Artist Spotlight

Cali Tucker Unwraps Christmas Magic With Her New EP “Santa Baby”

Cali Tucker is back in the spotlight this season with “Santa Baby,” a beautifully made holiday EP that captures the heart, warmth, and timeless glow of Christmas classics. Cali is known for singing the National Anthem at NASCAR’s Pennzoil 400 in front of 80,000 fans and more than three million people at home. She brings the same powerful presence and emotional depth to this holiday project.

“Santa Baby” is a great holiday release for music lovers, bloggers, and new artist discovery sites. It has six tracks and lasts 20 minutes. It mixes nostalgia with Cali’s signature smooth vocals. Each song shows off her talent, but “O Holy Night” and “The Christmas Song” are two that stand out as favorites. Both performances show off her range, control, and ability to bring classic songs into modern emotional spaces without losing their original charm.

“O Holy Night” stands out as the EP’s spiritual center, with a glowing performance full of dynamics, warmth, and a cinematic stillness that draws people in. Cali gives the song both respect and a unique touch, breathing new life into a well-known hymn. “The Christmas Song,” on the other hand, makes you feel like you’re sitting next to a fire. It’s soft, heartfelt, and full of stories that make you feel nostalgic. Cali’s voice flows effortlessly through every note, making it impossible not to feel the magic of the season.

The whole EP flows easily and has a mix of fun sparkle, soulful warmth, and classic Christmas music. “Santa Baby” is the perfect song for the season, whether people are making holiday playlists, looking for new Christmas music, or discovering new vocal talents. This EP adds a new but familiar sound to today’s holiday music scene. It has a comforting feel and is easy to listen to repeatedly.

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Artist Spotlight

Kalpee Honors Heritage and Heart on His Emotion-Rich New EP Dougla Boi

Kalpee is back with Dougla Boi, a beautiful new EP that is both personal and powerful. It gives listeners a close look at the layers of identity, heritage, and emotion that make him who he is. The Trinidad and Tobago artist is confident in his own space, which is rooted in New Calypso and polished with hints of dancehall, R&B, and afrobeats. In this space, genre bends, but emotion leads.

Named after the Trinidadian word for someone of mixed African and Indian heritage, Dougla Boi is honest, proud, and warm about the complexities of culture. Kalpee opens a window into the dualities that define him across six tracks, turning personal truth into universal resonance. The EP is just under 19 minutes long, but every second is carefully planned to take listeners on a journey through courage, joy, healing, and the quiet strength that comes from accepting all parts of yourself.

The first single, “Under,” stands out right away for its calming yet emotionally charged experience. Kalpee’s voice flows over a beat that sounds both new and old, fitting the EP’s theme of bringing cultures together. It’s one of the best examples of how he can mix soft and hard sounds, which is what makes his New Calypso sound so unique.

“Everybody,” which features Full Blown, is another excellent song that has already done very well. It has a happy vibe and an infectious bounce, making it one of the EP’s most replayable songs. “Everybody” captures the spirit of community and shared experience, which is what Kalpee means when he says that identity is not a box but a rhythm.

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