Music
Empty Machines dive into darker sonic skies with their latest single, “Velvet Sky”

Glasgow-based duo EMPTY MACHINES unveils their latest sonic creation, “Velvet Sky,” a Rock-Pop single that transcends musical boundaries. On December 15th, Empty Machines released a new track that showcases their prowess in the DIY music scene. “Velvet Sky” combines alternative and electronic elements to weave a narrative that creates an immersive experience that is uniquely powerful and lingers long after the final note.
With “Velvet Sky,” Empty Machines demonstrates their evolution from a one-person instrumental project by Thomas Crawford to a dynamic duo. The band is committed to a hands-on approach to their creative process, from writing and recording to mixing and visual aesthetics. This level of involvement adds a genuine and holistic touch to their music.
The song takes listeners on a mesmerizing adventure through the intense and darker aspects of Empty Machines’ sonic world. Their signature cinematic sound profoundly immerses fans as they explore deep and complex themes that add depth and variety to their repertoire. What distinguishes Empty Machines is their willingness to experiment and collaborate, resulting in a stunning mix of genres that resonates with the soul.
The track promises an intriguing and unforgettable sonic adventure, establishing EMPTY MACHINES as a band that will echo across the music landscape. As a rising phenomenon, Empty Machines invites listeners to keep watch as “Velvet Sky” is a glimpse into the boundless creativity of a duo destined to make waves.
Get ready to be entranced by EMPTY MACHINES, a name that will undoubtedly become more prevalent in the music industry. They are a shining example of innovation and authenticity in an industry flooded with options.
For more information about Empty Machines, please visit [website].
CLICK HERE TO STREAM Empty Machines’s “Velvet Sky“ on Spotify.
CONNECT WITH Empty Machines | Instagram | Twitter | Facebook |
Artist Spotlight
Marnix Emanuel drops a heartfelt anthemic ballad with his recent single, “You Got Me Hurt”

Marnix Emanuel infuses emotion into every note in his newest single, “You Got Me Hurt.” This beautifully crafted soulful pop ballad captures the lingering pain of losing a love that seemed irreplaceable, destined to last forever. Right from the first note, Marnix reels audiences into his world with a unique voice that’s equal parts raw silk and aching steel. He exudes a genuine vulnerability paired with a confident stage presence that only a truly seasoned artist can deliver.
What’s striking about this track is how effortlessly it balances heartbreak with resilience. The song doesn’t merely wallow in sorrow; it channels that bittersweet emotion into something intimately powerful, pulsing with the quiet strength and endurance, a timeless anthem that feels personal and universally relatable. “You Got Me Hurt” hits home in all the right places with its poignant lyrics and soaring melodies.
Marnix’s talents shine through as a vocalist, songwriter, and producer. Every element of the song’s production feels intentional, from the heartfelt lyrics to the lush, timeless pop instrumentation. The chorus has a warmth that touches modern and nostalgic, showcasing why the melody resonates so deeply. It features an undeniable rhythmic hook that echoes long after the tears have dried, inviting listeners to experience it repeatedly.
Coming out of the Netherlands as an emerging independent artist and singer-songwriter, Marnix Emanuel continues to build on a promising career with a strong foundation. “You Got Me Hurt” is a bold sonic statement affirming that his music is here to stay. For anyone who has ever experienced heartbreak and is seeking to navigate the complexities of love lost and desire to rebuild after love falls apart, this single offers genuine emotional gravity. It perfectly represents heartbreak done right: soulful, innovative, and utterly human. As he looks toward new releases in 2025, this single sets the tone: honest, compelling, and impossible to ignore.
For more information about Marnix Emanuel, please visit [website].
CLICK HERE TO STREAM Marnix Emanuel’s “You Got Me Hurt“ on Spotify.
CONNECT WITH Marnix Emanuel | Instagram | Facebook |
Music
Tylo $mith taps into the art of cool on “Sumn Light”

Tylo $mith is not here to scream at you for your attention. Instead, on “Sumn Light,” he slips into your speakers with laconic cool that says a lot without grunting. Taken from his forthcoming project Honor Chords, the song is a somber, mood-heavy cut that bleeds personality, clever bars, and introspective late-night celebration.
Over a hypnotic beat that pulsates like the neon light in the rain, Tylo $mith offers an off-the-cuff performance that seems razor-sharp. There’s a slackness to his delivery, a lanky-boned ease that suggests he’s not trying that hard because he doesn’t need to. He name-drops Christian Bale effortlessly, preens with a Nicki Minaj reference that lands just right, and saunters through verses like he’s talking to himself more than to an audience. But that’s why it resonates. There’s nothing fake here, just vibes and truth.
“Sumn Light” sounds like a confession you catch in freestyle, when the world quiets and honest thoughts creep in. The lyrics bounce between self-aware flexes and coy vulnerability in a balancing act that defines Tylo’s style. It’s not the over-explanation; it’s the space between the words, the sonic coolness, and the honesty cloaked in rhyme.
This song was made to add to your chill rap and vibey hip-hop playlists, but it also thrives on its own, winding its way through your headphones as background noise or front-and-center reflection. The production is minimalist but immersive, leaving space for the depth and texture of Tylo’s voice and pen to sit right in the pocket. He’s not trying to out-rap the beat, and he’s talking to it.
“Sumn Light” is a mood, a feeling, a moment that doesn’t need to scream to be heard. It captures what Honor Chords seems to be about: raw expression, offhand calm, and honesty that catches you unawares.
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