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Enda Gallery Shares Stunning New EP ‘Liberation’

‘Liberation’ is the new EP by Irish artist Enda Gallery, a record of stunning intensity, beauty, and potency. It is a musical recollection of a journey undertaken by a skilful songwriter.

When Enda released his debut album ‘The Journey to Zero’ in April 2020, the Irish artist had already collaborated with the likes of Kid Simius, Dead Rabbit, Nobody’s Face and written/produced for Tolü Makay, Wilzee and Strange Boy. His history of producing and enabling these unconventional artists across many genres have gifted him the thoughtful capability to mix his skills, self-determination, and empathy with a mastery of his own presence inside of a song. This combination results in his ‘Liberation’ EP, which is a truly sincere and compassionate collection of songs filled with vigour and lushness.

On ‘Old Fashioned’, we are treated to the euphoric essence of Berlin – rapturous, blissful, and emotionally delicate all in the same breath. Enda Gallery sings over a pulsing clubland style piano loop “In the city of hoping, in the city of the fear/ In the city of floating, you make me want to be Old Fashioned”. It’s a love song to everything Enda Gallery has found in his secondary home in the German capital.

Enda Gallery is an artist with a real purpose, and that is to create beautiful and liberating art. He takes influence from genre-defying artists such as Frank Ocean and Prince – mixed with the deep sincerity of Sufjan Stevens, Alicia Keys and even Freddie Mercury. Through this sense of creative deliverance, we hear his truest realisations and experiences with songs such as ‘Super Raw’ and ‘This Is That Moment’. Marinated in flavours of soul, hip hop, techno, and gospel we are left with songs which peel back the layers of self-incrimination and personal disenfranchisement. The highly danceable title track ‘I Want Liberation’ is exemplary in showcasing Enda Gallery’s finesse for uplifting and gracious pop songs.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Album Review

Jangus Kangus shatters melodic boundaries with her debut album “Fortune Cookie”

Jangus Kangus

Jangus Kangus, the intriguing musical force helmed by Jasmine Sankaran, has just cracked open her most audacious project to date, “Fortune Cookie,” an album that intricately weaves genre fluidity and emotional resonances. This collection of eight tracks serves as both a sonic manifesto and a significant milestone in contemporary indie-pop, characterized by unvarnished lyricism and engaging, jangly hooks.

The album commences with You Only Love Me When,” a seemingly serene acoustic-pop track that establishes the thematic groundwork for a narrative exploration of desires, internal conflicts, and acts of defiance. It poignantly laments love that manifests only through revealed strength, portraying love as a timeless entity, even when entangled with the vices of broken individuals intoxicated by addictive substances. After this introduction, Kangus transitions into the introspective Double Lives,” a shimmering soul-infused piece that methodically dissects the paradoxes inherent in love and the subdued anguish that frequently accompanies the double lives.

Progressing to No Future In This,” the album’s melancholic yet assertive dive into romantic realism presents bold lyrical insights. This sentiment escalates into the heartbreak elegy Our Love Is Dead,” here, rhythmic piano chords evoke a mournful grace that encapsulates the heaviness of lost love, distrust, and betrayal. The track underscores the necessity of relinquishing specific attachments to pivot away from unsafe circumstances, echoing the fortune teller’s chilling proclamation: our love is, indeed, dead. Then comes the wild card Janakita Kirakita,” an intoxicating burst of sonic dynamism and gleeful experimental composition that injects curiosity and electric charm into the auditory tapestry, boldly challenging convention with every note.

Listeners will find Goldilocks particularly captivating; this genre-defying number draws from stylistic influences reminiscent of St. Vincent and The Smiths, skillfully merging nostalgia with contemporary innovation. It conveys an urgent yearning to reclaim lost love during periods of solitude. The penultimate track, Honeymooners in Venice,” narrates a cinematic experience rich in post-modern nuances. Finally, the concluding piece, High Rise,” offers a deep plunge into Sankaran’s introspections, leaving a reverberating and haunting impact.

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Meticulously crafted with the dexterity of a seasoned lyricist and the fervor of a punk priestess, “Fortune Cookie” commands attention as a contemporary coming-of-age narrative rich with lo-fi grit and artistic ambition, all presented through a unique lens.

Featuring an outstanding lineup that highlights the intricate interplay of Steph Anderson on keys and backing vocals, Antonio White on lead guitar, Dan Perdomo on drums, and Ryan Kellis on bass, Jangus Kangus delivers a performance that harmonizes technical proficiency with emotional transcendence. The music constitutes a distinctive addition to diverse playlists, serving as an ideal backdrop for a heartbreak soundtrack or late-night contemplation, thereby ensuring its relevance and recurrence among discerning audiences.

CLICK HERE TO STREAM Jangus Kangus’s Album Fortune Cookie on Spotify.
CONNECT WITH Jangus Kangus | Instagram | Facebook |

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Artist Spotlight

Kayla Marque lights a fire with “Slow Burn”

Kayla Marque

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.

Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.

As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.

What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.

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